Talked about this in bread 7352
!!mG7VJxZNCI
iimG7VJxZZCI
iim G7 V J(a)ZZC I
iim G7 V JAZZ C adence I
G7 = V chord in Key of C
iim (chord) V (chord) I (chord) - 2 5 1
Key of C: iim G7 C - 2 5 1
The Jazz Cadence. WIKI: ⅱ–Ⅴ–I progressions are extremely common in jazz. They serve two primary functions, which are often intertwined: to temporarily imply passing tonalities, and to lead strongly toward a goal (the "I" chord).”
To who or what is Q leading strongly towards. Any anons out there who’ve dug on this. Alternate theory?