satanists love art , museum, foundation business - and for good reasons. Art can have any assigned value. An art market can be created overnight in a previously unknown artist like Keith Haring. This makes art/museums antiquities a perfect way to move money around while at the same time promoting their inventory, art, as a recognized store of long term value.
A painting is worth what you say it is if you're the Getty Museum, the Hammer, the Broad, the Norval, the whatever-cult-tycoon is pretending philanthropy and laughing as we reverently troop through their art gallery front operation.
There's another good, valid and unholy reason satanic cult con artists use art gallery and museum structures as operational fronts. It is recognized satanist Information War tactic to exploit human conditioned responses.
. https://www.amazon.com/Influence-Practice-Robert-B-Cialdini/dp/0205609996
In the case of art we've been POWERFULLY conditioned never, ever to seriously question art. Anyone who says "my kid could do that - " is an idiot. Only an ignoramus questions art. We’ve been taught this in movies and sitcoms, we'be told a hundred ways a thousand times: only vulgar and uneducated people criticize art. Philistines. Prudes. Hicks. Furthermore we are taught that art is a specialist area, and if we aren't specialists or insiders, we couldn’t possibly have anything worthwhile to say; sfumeto sforza, we ought keep our crude thoughts to ourselves and our boorish mouths shut around what we don’t understand; because art is sacrosanct; the sacred self-expression of the individual.
Decades of this powerful conditioning allowed Pedosta's fat brother Tony to pose for a multi-page spread in a glitzy DC magazine with his daemonic sculpture of homosexual torture victims. With picture of abused children in bizarre ritual locations. The same conditioning protects Marina Abramovic and a crowd of stars” and celebrities" photographed eating an art corpse soaked in honey at an “art event.” It’s ART. The pedovores are so rightfully confident in our conditioning they even licensed photos of themselves with forks stuck into that honeyed corpse to be published in art & fashion magazines, blogs and supermarket tabloids. The honeyed corpse is a gnostic occult ritual.
https://en.wikipedia.org/wiki/Mellified_man < READ
Why do Satanist pedovores parade their pathology in front of us? When we see Tony Pedosta, John “Skippy” Pedosta’s brother's sculpture we do not understand consciously, what we are seeing is Jeffrey Dahmer’s torture victim. What effect does seeing something we don’t see have on us?
A lot. It is the “secret” of the effectiveness subliminal and subsonic embed programming. Words and images we don’t know that we’ve seen, are perceived by the unconscious component of our minds. We know this because subliminal embeds we don’t consciously see raise our blood pressure, increase our pulse rate, and fMRI studies show that these unperceived influences activate portion of the brain associated with memory and emotional trauma.
http://washingtonlife.com/2015/06/05/inside-homes-private-viewing/
We do understand sex and violent images unconsciously, and the traumatic images are retained in memory below the threshold of conscious awareness to influence our future behavior over time. Images of sex and violence in unconscious memory affect us like PTSD caused by real material world injury/traumas.
Occult and Information War or IW operations target the unconscious mind. This “witchcraft” works best when we are not aware of images we are exposed to or even that we are being targeted at all.
Sculpture of Dahmer’s torture victim is presented as fashionable, highly desirable, rare and precious, collected by knowledgeable and prominent people like Tony and John Pedosta the Roths etc. satanist’s social subversion/sabotage operations exploit our strongest social conditioning.
Art world/foundations are institutions we are powerfully conditioned not to criticize
Art is a satanist controlled industrial market. Since the days of Bernard Berenson art has been used to launder money, to create value by introduce forgeries, and emotionally prime population for coming events “foretold” and always to manipulate individuals and groups in many social dimensions while generating enormous profits for the pedovore cultists.
https://www.artforum.com/diary/linda-yablonsky-at-the-la-moca-gala-29517
In this connection The Getty is promoting big bombshell art show, which will have many thinking about the boy Pharaoh. WHY? King Tut coming to the Getty LA? WHEN?
Occult anons may want to check the satanic holiday calendar .IDK
https://www.latimes.com/entertainment/arts/la-et-cm-king-tut-exhibition-20180322-story.html
https://www.crazydaysandnights.net/2018/07/blind-items-revealed-14_5.html
http://washingtonlife.com/2015/06/05/inside-homes-private-viewing/