Anonymous ID: f4c732 April 20, 2019, 12:29 a.m. No.6250062   🗄️.is đź”—kun

There is a popular Youtube video that features Wintley Phipps talking about “Amazing Grace.” He discusses how most Negro spirituals can be played on a piano’s black notes. He then points out that “Amazing Grace” can also be played using just black notes. Of course, that hymn was written by John Newton, a slave trader.

 

Phipps strongly suggests that Newton heard the tune he used for “Amazing Grace” from black slaves. In fact, he mentions that when the song is printed today, Newton gets credit for the words but the music’s writer is always listed as unknown. He then says that when he gets to heaven, he wants to meet the slave called Unknown.

 

It is a great, heart-warming story, but unfortunately, it is not true. Newton wrote the words of the hymn as a poem, which was how it was published in 1779. We have no idea whether he sang it to any particular tune, but we do know that the melody it is currently sung with (New Britain) was not associated with the song until the 1830’s. Before that time, it was undoubtedly sung to numerous other melodies.

 

When Phipps discusses the idea of songs being sung with black keys, he is referring to songs that are written using a pentatonic scale. In terms of the scale we use today, the pentatonic scale is a subset that uses five pitches (1, 2, 3, 5, and 6). This is the scale that is created when you play the black keys starting on F#.

 

Pentatonic scales are prevalent in African American music (including music from slavery) but they are common in much folk music from different cultures. It is certainly possible that the melody of “Amazing Grace” was written by a slave, but that is far from a given. Even if true, there is almost no chance that Newton ever heard that tune or envisioned his hymn being sung to that tune.

 

That being said, I enjoyed the Phipps YouTube video and I love songs that use the pentatonic scale. I use pentatonic scales often in my arrangements. The runs in “Heaven Came Down” on Portraits of Hope are pentatonic. I am currently arranging “Go Tell It On the Mountain,” which undoubtedly is a product of American slavery and was written using a pentatonic scale.

 

A few years ago at my church, someone (a visitor) came up and began quizzing me about pentatonic scales. His obvious opinion was that because the pentatonic scale is a subset of the common Western seven note scale, music written using pentatonic scales is inferior.

 

To that kind of thinking, I have one word: rubbish! First of all, music of that sort does not really only use five tones; tones are used that do not even fit into the Western chromatic scale. African American music highly developed the concept of playing and singing between notes (in the cracks). But secondly, the character of the music is not inferior; it is just different.

 

So, while I reluctantly have to point out the error of Phipps, my hat is off to the contributions of American slaves to musical development.

Anonymous ID: f4c732 April 20, 2019, 12:33 a.m. No.6250079   🗄️.is đź”—kun

>>6250065

 

Judge Ellis has now recused himself from this case because it has be come known that he denied a FISA warrant to the FBI on Peter Strock and they had real evidence that it was needed! We might see another judge "retiring"

Anonymous ID: f4c732 April 20, 2019, 12:57 a.m. No.6250176   🗄️.is đź”—kun

Walkaway Joe

 

Mama told her baby girl take it real slow

Girl told her momma hey I really gotta go

He's waiting in the car

Mama said girl you won't get far

Thus are the dreams of an average Jane

Ninety miles an hour down a lovers lane

On a tank of dreams

Oh if she could've only seen

That fate's got cards that it don't want to show, and

That boy's just a walkaway Joe

Born to be a leaver tell you from the word go

Destined to deceive her

He's the wrong kind of paradise

She's gonna know it in a matter of time

That boy's just a walkaway Joe

Now just a little while into Abilene

He pulls into a station and he robs it clean

She's waiting in the car, oh, underneath the Texaco star

She only wanted love didn't bargain for this

She can't help but love him for the way he his

She's only seventeen and there ain't no reasoning

So she'll ride this ride as far as it can go, 'cause

That boy's just a walkaway Joe

Born to be a leaver tell you from the word go

Destined to deceive her

He's the wrong kind of paradise

She's gonna know it in a matter of time

That boy's just a walkaway Joe

Somewhere in a roadside motel room

Alone in the silence she wakes up too soon

And reaches for his arms

But she'll just keep reaching on

For the cold hard truth revealed what it had known

That boy's just a walk away Joe

Born to be a leaver tell you from the word go

Destined to deceive her

He's the wrong kind of paradise

But it was just another lesson in life

That boy was a walkaway Joe

Mmm yeah,

All he was was a walkaway Joe

Oh,

(Walkaway Joe)

He was a walkaway Joe

Mmm