With the revelations last month about Burisma Holdings, the Bidens, and their connections to Christopher Heinz

And the H. J. Heinz Co connections to the Mellon Bank and the Mellon family

and the Andrew W. Mellon Foundation grant issuance to the Wexner Center for the Arts

Digging into the Heinz Endowment seemed to be the next prudent step to expand on this network of power players.

The Heinz Endowment focuses on supporting their region's (Pittsburgh) initiatives with a heavy focus on the Arts.

An example:

The Heinz Endowment has paid $1.24 million to the Frick Art & Historical Center in Pittsburgh since the early 2000s.

Hopefully most here know that Henry Clay Frick was the "Coke King" as a key supplier of purified coal (coke) to the Carnegie Steel empire.

Frick's Coke business was financed by the Mellon family bank.

Funny thing is when you look into the Frick Pittsburgh group of Museums you'll notice a rotating exhibition setting for contemporary artists.

The process of propping up these artists through rants, fellowships, and direct financing through exhibitions greatly increases their exposure, reputation and ultimately their value.

Propping up the subjective value of a piece of art sure would be useful for transferring value from one party to another with little scrutiny.

One such artist that caught my eye was Chris Antemann, a pittsburgh area porcelain artist who seems to have quite the international support from museums, foundations, and collectors.

https://chrisantemann.com/meissen/

http://chrisantemann.com/wp-content/uploads/2019/01/antemann-collection-4.pdf

Can anyone explain the imagery of flowers? (example: Bill Clinton and Kim)

What about ripe fruit?

What was the apple in the story of the garden of eden?

A child.

The chaos of life, the inherent evil in man (the snake) presented a ripe apple, the prototypical symbol of female fertility, to woman.

That apple represents child.

The "forbidden fruit" wink and nod from this artist from that context is concerning.

Further digging required into Frick's art dealings, and Heinz/Mellon financing of art and for what purpose?