Mossad bakers are back? Awesome cool.
BAKER NOTABLE
Article describing how large scale propaganda efforts are being used strategically to control the people. 1984 on steroids.
https://slate.com/news-and-politics/2005/09/psy-ops-propaganda-goes-mainstream.html
You Can’t Handle the Truth
Psy-ops propaganda goes mainstream.
By Sharon Weinberger
Sept 19, 20056:31 AM
A live “ops center” in a country SCL won’t identify
LONDON—Over the past 24 hours, seven people have checked into hospitals here with telltale symptoms. Rashes, vomiting, high temperature, and cramps: the classic signs of smallpox. Once thought wiped out, the disease is back and threatening a pandemic of epic proportions.
The government faces a dilemma: It needs people to stay home, but if the news breaks, mass panic might ensue as people flee the city, carrying the virus with them.
A shadowy media firm steps in to help orchestrate a sophisticated campaign of mass deception. Rather than alert the public to the smallpox threat, the company sets up a high-tech “ops center” to convince the public that an accident at a chemical plant threatens London. As the fictitious toxic cloud approaches the city, TV news outlets are provided graphic visuals charting the path of the invisible toxins. Londoners stay indoors, glued to the telly, convinced that even a short walk into the streets could be fatal.
This scenario may sound like a rejected plot twist from a mediocre Bond flick, but one company is dead set on making this fantasy come to life.
Strategic Communication Laboratories, a small U.K. firm specializing in “influence operations” made a very public debut this week with a glitzy exhibit occupying prime real estate at Defense Systems & Equipment International, or DSEi, the United Kingdom’s largest showcase for military technology. The main attraction was a full-scale mock-up of its ops center, running simulations ranging from natural disasters to political coups.
Just to the right of the ops center, a dark-suited man with a wireless microphone paces like a carnival barker, narrating the scenarios. Above him a screen flashes among scenes of disaster, while to his right, behind thick glass, workers sit attentively before banks of computer screens, busily scrolling through data. The play actors pause only to look up at a big board that flashes ominously between “hot spots” like North Korea and Congo.
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