irony is
<pedostas lilpeepee fish
committed to all this baal swine of satan
to impress draccos
whom are surrounded by whining jooooo porks
and need grey poupon
irony is
<pedostas lilpeepee fish
committed to all this baal swine of satan
to impress draccos
whom are surrounded by whining jooooo porks
and need grey poupon
obviously your cock obsession needs therapy
this suppose to be a dunning kruger joke with a eunuch and child porn
say it
>say it
>BUM LICKER
>>CHEEKY MONKEY
LAUNCH CODE INITIATED
>BUM LICKER
>CHEEKY MONKEY
>BUM LICKER
>CHEEKY MONKEY
>BUM LICKER
>CHEEKY MONKEY
>BUM LICKER
>CHEEKY MONKEY
>@CIA SHITLER CLINTON TRANNY DIDN;T ASSISSTED SUICIDE HIM$ELF
>IT LIVED
JE$U$ CALLED JEWS LIARS
>>>>>>>>>>>>ALMOST THERE
>>>>>>>>>>>>>>KEEP WALKING FAGGOTS
>>>SAY IT
<ONE DOES NOT SIMPLY WALK INTO MORDOR
>>THERE IS CLIMBING INVOLVED TOWARDS THE EDGE
>>>>>>>>>>>ALMOST THERE
>>>>>>>>>>>>>KEEP WALKING FAGGOTS
>>SAY IT
<ONE DOES NOT SIMPLY WALK INTO MORDOR
>THERE IS CLIMBING INVOLVED TOWARDS THE EDGE
>>>>>>>>>>>ALMOST THERE
>>>>>>>>>>>>>KEEP WALKING FAGGOTS
>>SAY IT
<ONE DOES NOT SIMPLY WALK INTO MORDOR
>THERE IS CLIMBING INVOLVED TOWARDS THE EDGE
>>>>>>>>>>ALMOST THERE
>>>>>>>>>>>>KEEP WALKING FAGGOTS
>SAY IT
<ONE DOES NOT SIMPLY WALK INTO MORDOR
THERE IS CLIMBING INVOLVED TOWARDS THE EDGE
gayestshotgunwedding #EVER INTENSIFIES
>say it
>all this for a blue lightsaber
>>7732606 (You)
>to catch a boat
>to egypt !!
jew exodus right now in hollywood
to their Pharisees in the luxor
and then mr drumpfbraham lead them to florida to catch a boat
and many were cruise winners
and many were every loaf
and many were jew shitposters
and many found xenu milk
TL;DR: GAYLORD BUTT JOOOOS SEEKS FOREIGN HOOKER SHEKELS #COciaNE
#COciaNE HOOKER DRAMA FROM TRANNY COciaNE CAUSED TONS OF DIARHEA SPAM ONLINE
<HOMOEROTIC JEW MEMES
>>7723909 (You)
>>7723893 (You)
HOMOEROTIC JEW MEMES
>>HOMOEROTIC JEW MEME
HOMOEROTIC JEW MEMES
>>7709266
>>7709223
JE$U$ CALLED JEWS LIARS
>>>>>>>>>>>>ALMOST THERE
>>>>>>>>>>>>>>KEEP WALKING FAGGOTS
>>>SAY IT
<ONE DOES NOT SIMPLY WALK INTO MORDOR
liar
liar
homo
hag
that;s a real bummer homo
>a real bummer homo
>a real bummer homo
>a real bummer homo
>a real bummer homo
>a real bummer homo
>a real bummer homo
>a real bummer homo
>a real bummer homo
>a real bummer homo
>a real bummer homo
>a real bummer homo
>a real bummer homo
the shitty script sucks buttholes like a saurkrauter wigger
notice how the zombies need to compare two or three treasonous cocks if a fake piety situation
willcock willfaggot for shekels
seems these trannywhores needs a peer delusion for validation
the Q hashcode got shared with a bunch of idiots huh
Lord of the Flies is a 1963 British drama film based on William Golding's novel of the same name about 30 schoolboys who are marooned on an island where the behaviour of the majority degenerates into savagery. It was written and directed by Peter Brook and produced by Lewis M. Allen. The film was in production for much of 1961, though the film did not premiere until 1963, and was not released in the United Kingdom until 1964. Golding himself supported the film. When Kenneth Tynan was a script editor for Ealing Studios he commissioned a script of Lord of the Flies from Nigel Kneale, but Ealing Studios closed in 1959 before it could be produced.
The novel was adapted into a movie for a second time in 1990; the 1963 film is generally considered more faithful to the novel than the 1990 adaptation.
Assassination of John F. Kennedy President Kennedy with his wife, Jacqueline, and Texas Governor John Connally with his wife, Nellie, in the presidential limousine, minutes before the assassination Location Dealey Plaza, Dallas, Texas, U.S. Coordinates Date November 22, 1963 ; 56 years ago (1963-11-22) 12:30 p.m. (Central Standard Time) Target John F. Kennedy Attack type Sniper assassination …
A group of schoolboys are evacuated from England following the outbreak of an unidentified war. Their aircraft is shot down by briefly-glimpsed fighter planes and ditches near a remote island.
The main character, Ralph, is seen walking through a tropical forest. He meets an intelligent and chubby boy with glasses, who reveals his school nickname was Piggy, but asks that Ralph not repeat that. The two go to the beach where they find a conch shell, which Ralph blows to rally the other survivors. As they emerge from the jungle, it becomes clear that no adults have escaped the crash. Singing is then heard and a small column of school choir boys, wearing dark cloaks and hats and led by a boy named Jack Merridew, walk towards Ralph and Piggy.
The boys decide to appoint a chief. The vote goes to Ralph, not Jack. Initially, Ralph is able to steer the boys (all of whom are aged between about six and fourteen) towards a reasonably civilised and co-operative society. They meet in regular assemblies during which the conch is passed around, signifying which boy may speak. The choir boys make wooden spears, creating the appearance that they are warriors within the group. Crucially, Jack has a knife, capable of killing an animal.
The boys build shelters and start a signal fire using Piggy's spectacles. With no rescue in sight, the increasingly authoritarian and violence-prone Jack starts hunting and eventually finds a pig. Meanwhile, the fire, for which he and his "hunters" are responsible, goes out, losing the boys' chance of being spotted from a passing aeroplane. Piggy chastises Jack, and Jack strikes him in retaliation, knocking his glasses off, and breaking one lens. Ralph is furious with Jack. Soon some of the boys begin to talk of a beast that comes from the water. Jack, obsessed with this imagined threat, leaves the group to start a new tribe, one without rules, where the boys play and hunt all day. Soon, more follow until only a few, including Piggy, are left with Ralph.
Events reach a crisis when a boy named Simon finds a sow's head impaled on a stick, left by Jack as an offering to the Beast. He becomes hypnotised by the head, which has flies swarming all around it. Simon goes to what he believes to be the nest of the Beast and finds a dead pilot under a hanging parachute. Simon runs to Jack's camp to tell them the truth, only to be killed in the darkness by the frenzied boys who mistake him for the Beast. Piggy defends the group's actions with a series of rationalisations and denials. The hunters raid the old group's camp and steal Piggy's glasses. Ralph goes to talk to the new group using the still-present power of the conch to get their attention. However, when Piggy takes the conch, they are not silent (as their rules require) but instead jeer. Roger, the cruel torturer and executioner of the tribe, pushes a boulder off a cliff which falls on Piggy, killing him and crushing the conch.
Ralph hides in the jungle. Jack and his hunters set fires to smoke him out, and Ralph staggers across the smoke-covered island. Stumbling onto the beach, Ralph falls at the feet of a naval officer who stares in shock at the painted and spear-carrying savages that the boys have become, before turning to his accompanying landing party. One of the youngest boys tries to tell the officer his name, but cannot remember it. The last scene shows Ralph sobbing as flames spread across the island.
Beelzebub or Beelzebul (/biːˈɛlzɪbʌb/ bee-EL-zi-bub or /ˈbiːlzɪbʌb/ BEEL-zi-bub; Hebrew: בַּעַל זְבוּב Baʿal Zəvûv) is a name derived from a Philistine god, formerly worshipped in Ekron, and later adopted by some Abrahamic religions as a major demon. The name Beelzebub is associated with the Canaanite god Baal.
In theological sources, predominantly Christian, Beelzebub is sometimes another name for the devil, similar to Satan. He is known in demonology as one of the seven princes of Hell. The Dictionnaire Infernal describes Beelzebub as a being capable of flying, known as the "Lord of the Flyers", or the "Lord of the Flies".
As with Golding's book, the pessimistic theme of the film is that fear, hate and violence are inherent in the human condition – even when innocent children are placed in seemingly idyllic isolation. The realisation of this is seen as being the cause of Ralph's distress in the closing shots.[2]
Charles Silver, Curator in the Department of Film at MoMA, wrote that the film is "about anarchy and how that thin veneer we wear of what we refer to as “civilization” is threatened by the attractive clarion call of bestiality and its accompanying hatred".[3]
The source for the name Beelzebub is in the Books of Kings (2 Kings 1:2–3, 6, 16), written Ba'al Zəbûb, referring to a deity worshipped by the Philistines. The Hebrews called him Prince of Demons (Matthew 12:24: Luke 11:15).[1] The title Baal, meaning "Lord" in Ugaritic, was used in conjunction with a descriptive name of a specific god. Opinions differ on what the name means.
In one understanding, Ba'al Zəbûb is translated literally as "lord of the flies".[2][3][4][5][6] It was long ago suggested that there was a relationship between the Philistine god, and cults of flies—referring to a view of them as pests, feasting on excrement—appearing in the Hellenic world, such as Zeus Apomyios or Myiagros.[7] This is confirmed by the Ugaritic text which depicts Baal expelling flies, which are the cause of a person's sickness.[7] According to Francesco Saracino (1982) this series of elements may be inconclusive as evidence, but the fact that in relationship to Baal Zebub, the two constituent terms are here linked, joined by a function (ndy) that is typical of some divinities attested in the Mediterranean Sea world, is a strong argument in favor of the authenticity of the name of the god of Ekron, and of his possible therapeutic activities, which are implicit in 2 Kings 1:2–3, etc.[8]
Alternatively, the deity's actual name could have been Ba'al Zəbûl, "lord of the (heavenly) dwelling", and Ba'al Zebub could have been a derogatory pun used by the Israelites.[9][10][11] In regard to the god of Ekron, the belief that zebub may be the original affix to Baal and that it is a substitute for an original zbl which, after the discoveries of Ras Shamra, has been connected with the title of "prince", frequently attributed to Baal in mythological texts. Ba'al Zebub was used in the Hebrew language as a pun with Ba'al Zebul, where Zebul meant "of the manor", and in a derogatory manner Ba'al Zebub was used to offend the enemies of the Israelites.[7]
The Septuagint renders the name as Baalzebub (βααλζεβούβ) and as Baal muian (βααλ μυιαν, "Baal of flies"). However, Symmachus may have reflected a tradition of its offensive ancient name, when he rendered it as Beelzeboul.[12]
The parents of those chosen are reported to have been provided copies of the novel, from which a commentary had been physically removed; those pages included describing the culmination of the hunt of a wild sow as an "Œdipal wedding night". Brook noted that "time was short; we were lent the children by unexpectedly eager parents just for the duration of the summer holidays".[4]
The film was shot entirely in Puerto Rico at Aguadilla, El Yunque and on the island of Vieques.[5] The boys in the cast were all non-professional, had mostly not read the book, and actual scripting was minimal; scenes were filmed by explaining them to the boys, who then acted them out, with some of the dialogue improvised.[3][6] Life magazine journalist Robert Wallace visited them there and observed one of them amusing himself by feeding live lizards into the blades of a rotating fan. Wallace commented: "One could almost hear William Golding, 4,000 miles away in England, chuckling into his beard."[6]
The 60 hours of film from the 1961 shoot was edited down to 4 hours, according to editor Gerald Feil. This was further edited down to a 100-minute feature that was shown at the 1963 Cannes Film Festival (9 to 22 May), but the cuts necessitated that new audio transitions and some dialog changes be dubbed into the film more than a year after shooting. The voice of James Aubrey, who played Ralph, had dropped three octaves and was electronically manipulated to better approximate his earlier voice, but it is still significantly different. Tom Chapin, who played Jack, had lost his English accent and another boy's voice was used to dub his parts. The U.S. distributor insisted the film be further edited to 90 minutes, so one fire scene and scenes developing the character of Ralph were cut.
In 1996, Peter Brook organised a reunion for the cast members for a documentary film called Time Flies. Brook was "curious to know what the years had done to his cast, and what effect the isolated months of filming had had on their lives".[7] Although none seemed damaged by their time working on the film, Simon Surtees, one of a pair of twin brothers who played Sam and Eric, "put his finger unerringly on the ethical dilemma. The problem is that most of us are not trained artists, so I now believe Peter runs the risk of abandoning us to our fate, just as he did in 1961, when he plucked us from our schools and our homes, put us on the island, then cast us back to live our lives as if nothing would ever change."[7]
Tom Gaman, who played Simon in Brook's film, remembered that "although I didn't think much about it at the time, in hindsight my death scene scares me. It was night, the spears–those wooden stakes–were quite real. We were excited, brandishing flaming sticks around a bonfire on the beach in a real storm. I really did emerge from the bushes into the center of a raging crowd, screamed in terror, was stabbed by boys with sharpened sticks, and staggered to the water"
In the Testament of Solomon, Beelzebul (not Beelzebub) appears as prince of the demons and says (6.2) that he was formerly a leading heavenly angel who was (6.7) associated with the star Hesperus (which is the normal Greek name for the planet Venus (Aphrodite, Αφροδíτη) as evening star). Seemingly, Beelzebul here is synonymous with Lucifer. Beelzebul claims to cause destruction through tyrants, to cause demons to be worshipped among men, to excite priests to lust, to cause jealousies in cities and murders, and to bring on war. The Testament of Solomon is an Old Testament pseudepigraphical work, purportedly written by King Solomon, in which Solomon mostly describes particular demons whom he enslaved to help build Solomon's Temple, with substantial Christian interpolations
The song, heard throughout the film, of the boys singing is Kyrie Eleison which, translated from Greek, means "Lord, have mercy". It is an expression used in a prayer of the Christian liturgy.
In Mark 3:22, the scribes accuse Jesus of driving out demons by the power of Beelzebul, the prince of demons, the name also appearing in the expanded version in Matthew 12:24,27 and Luke 11:15, 18–19. The name also occurs in Matthew 10:25.
Jesus knew their thoughts and said to them, "Every kingdom divided against itself will be ruined, and every city or household divided against itself will not stand. If Satan drives out Satan, he is divided against himself. How then can his kingdom stand? And if I drive out demons by Beelzebul, by whom do your people drive them out? So then, they will be your judges. But if I drive out demons by the Spirit of God, then the kingdom of God has come upon you."
—Matthew 12:25-28
It is unknown whether Symmachus the Ebionite was correct in identifying these names, because we otherwise know nothing about either of them. Zeboul might derive from a slurred pronunciation of zebûb; from zebel, a word used to mean "dung" in the Targums; or from Hebrew zebûl found in 1 Kings 8:13 in the phrase bêt-zebûl, "lofty house".
In any case, the form Beelzebub was substituted for Beelzeboul in the Syriac translation and Latin Vulgate translation of the gospels, and this substitution was repeated in the King James Version, the resulting form Beelzeboul being mostly unknown to Western European and descendant cultures until some more recent translations restored it.
Beelzebub is also identified in the New Testament as the devil, "the prince of demons".[14][15] Biblical scholar Thomas Kelly Cheyne suggested that it might be a derogatory corruption of Ba'al Zəbûl, "Lord of the High Place" (i.e., Heaven) or "High Lord".[16]
In Arabic translations, the name is rendered as Baʿl-zabūl ().
On review aggregator website Rotten Tomatoes, the film has an approval rating of 91% based on 22 reviews, with an average rating of 8/10.[9]
PopMatters journalist J.C. Maçek III wrote "The true surprise in Lord of the Flies is how little these child actors actually feel like 'child actors'. With few exceptions, the acting rarely seems to be forced or flat. This practiced, well-honed craft aids Brook’s vision of a fly on the wall approach that pulls the viewer into each scene."[10]
Bosley Crowther wrote in The New York Times that "the picture made from it by the writer-director Peter Brook is a curiously flat and fragmentary visualization of the original. It is loosely and jerkily constructed, in its first and middle phases, at least, and it has a strangely perfunctory, almost listless flow of narrative in most of its scenes"
Texts of the Gospel of Nicodemus vary; they use Beelzebul or Beelzebub. The name is used by Hades as a secondary name for the devil, but it may vary with each translation of the text; other versions give the name Beelzebub as Beelzebub,[ambiguous or typo ? clarification needed simplify w/“give the name as Beelzebub”] but separate him from the devil.
Peter Brook was nominated for the Golden Palm at the 1963 Cannes Film Festival.[12]
The film was named one of the Top Ten Films of the year in 1963 by the National Board of Review.[13]
Beelzebub is commonly described as placed high in Hell's hierarchy. According to the stories of the 16th-century occultist Johann Weyer, Beelzebub led a successful revolt against the devil,[19]is the chief lieutenant of Lucifer, the Emperor of Hell, and presides over the Order of the Fly. Similarly, the 17th-century exorcist Sébastien Michaëlis, in his Admirable History (1612), placed Beelzebub among the three most prominent fallen angels, the other two being Lucifer and Leviathan. John Milton, in his epic poem Paradise Lost, first published in 1667, identified an unholy trinity consisting of Beelzebub, Lucifer, and Astaroth, with Beelzebub as the second-ranking of the many fallen angels. Milton wrote of Beelzebub "than whom, Satan except, none higher sat." Beelzebub is also a character in John Bunyan's The Pilgrim's Progress, first published in 1678.
Sebastien Michaelis associated Beelzebub with the deadly sin of pride. However, according to Peter Binsfeld, Beelzebub was the demon of gluttony, one of the other seven deadly sins, whereas Francis Barrett asserted that Beelzebub was the prince of false gods.
Within religious circles, the accusation of demon possession has been used as both an insult and an attempt to categorize unexplained behavior. Not only had the Pharisees disparagingly accused Jesus of using Beelzebub's demonic powers to heal people (Luke 11:14–26), but others have been labeled possessed for acts of an extreme nature. Down through history, Beelzebub has been held responsible for many cases of demonic possession, such as that of Sister Madeleine de Demandolx de la Palud, Aix-en-Provence in 1611, whose relationship with Father Jean-Baptiste Gaufridi led not only to countless traumatic events at the hands of her inquisitors, but also to the torture and execution of that "bewitcher of young nuns", Gaufridi himself. Beelzebub was also imagined to be sowing his influence in Salem, Massachusetts; his name came up repeatedly during the Salem witch trials, the last large-scale public expression of witch hysteria in either North America or Europe, and afterwards, the Rev. Cotton Mather wrote a pamphlet titled Of Beelzebub and his Plot.[20
Lord of the Flies is a 1990 American survival drama film directed by Harry Hook and starring Balthazar Getty, Chris Furrh, Danuel Pipoly and James Badge Dale. It was produced by Lewis M. Allen and written by Jay Presson Allen under the pseudonym "Sarah Schiff", based on the 1954 book Lord of the Flies, by William Golding. It is the second film adaptation of the book, after Lord of the Flies (1963).
The film differs in many ways from both its predecessor film and the novel. Lord of the Flies centers on Ralph mainly, as the children try to initiate a society after crash-landing on an uncharted island, but things go awry.
The film was released on March 16, 1990 by Columbia Pictures, with film rights now belonging to Metro-Goldwyn-Mayer. Upon and since its release, the film has received mixed reviews, generally more negative than its 1963 counterpart. Most critics praise the film's scenery but center upon the film's deviations from the novel as a central flaw.
The name Baʿal Zəvûv (Hebrew: בעל זבוב) is found in Melachim II 1:2-3, 6, 16, where King Ahaziah of Israel, after seriously injuring himself in a fall, sends messengers to inquire of Ba'al Zebûb, the god of the Philistine city of Ekron, to learn if he will recover.
Now Ahaziah fell through the lattice in his upper chamber that was in Samaria, and he became ill; and he sent messengers and said to them, "Go inquire of Baal-zebub, the god of Ekron, whether I will recover from this illness."
— 2Kings 1:2
Elijah the Prophet then condemns Ahaziah to die by God's words because Ahaziah sought counsel from Ba'al Zebûb rather than from God.
But an angel of the Lord spoke to Elijah the Tishbite [saying], "Arise, go up toward the king of Samaria's messengers, and speak to them, [saying], 'Is it because there is no God in Israel, that you go to inquire of Baal-zebub the god of Ekron? Therefore, so has the Lord said, "From the bed upon which you have ascended you will not descend, for you shall die." ' " And Elijah went.
— 2Kings 1:3-4
Rabbinical literature commentary equates Baal Zebub of Ekron as lord of the "fly".[21][22] The word Ba'al Zebûb in rabbinical texts is a mockery of the Ba'al religion, which ancient Hebrews considered to be idol worship.[23]
Jewish scholars have interpreted the title of "Lord of the Flies" as the Hebrew way of calling Ba'al a pile of dung and comparing Ba'al followers to flies.[24][22]
An aircraft carrying 24 young American military school cadet boys returning home crash lands into the sea near a remote, uninhabited, jungle island in the Pacific Ocean. The pilot of the plane Captain Benson (Michael Greene), the only adult survivor, is seriously injured and delirious. All of the survivors arrive on the island. During the night, Simon, the most independent cadet, finds a river and notifies the other boys, which they all drink from and explore the island afterwards. Meanwhile, on the beach, an overweight cadet nicknamed "Piggy" (whose real name is never revealed during the story), a boy with glasses, finds a conch seashell and takes it to the grouped cadets, who adopt it to signal the right to speak and be heard by the group. The senior cadet, and one of the elder boys, Cadet Colonel Ralph, organizes a meeting to discuss surviving their predicament. Ralph and another of the older boys, Jack, emerge dominant, and an impromptu election is held to determine an official leader for the group. Ralph is declared the winner. They start a fire using Piggy's glasses to try and alert any passing craft. Things go smoothly for a while, but tensions soon begin to grow between Ralph and Jack.
One night, as they sleep, the delusional Captain Benson wanders away from the boys and into the jungle, eventually making his way to a cave deep inland. Jack brings all of his hunters to hunt in the jungle, leaving no one watching the fire. The fire goes out, preventing a passing helicopter from noticing them. Ralph blames Jack for failing to keep it going. During the ensuing fight, Jack, tired of listening to Ralph and Piggy, leaves and forms his own camp, taking many of the boys with him. As more and more boys defect to Jack's side, one of the younger boys, Larry, finds Captain Benson in the cave, mistakes him for a monster and stabs him, and then tells the other boys. Jack and his second-in-command Roger (Gary Rule) then go to the cave's entrance and mistake Captain Benson's dying groans for the sounds of a monster.
Bael is a demon described in demonological grimoires such as the Lesser Key of Solomon and the Pseudomonarchia Daemonum (where he is the first spirit mentioned) and also described in the Dictionnaire Infernal. He is described as a hoarsely-voiced king with the power to make men invisible and ruling over sixty-six legions of demons.[1][2][3][note 1] The Lesser Key of Solomon describes him as appearing in the form of a cat, toad, man, some combination thereof, or other "divers [sic] shapes,"[4] while the Pseudomonarchia Daemonum and the Dictionnaire Infernal state that he appears with the heads of a cat, toad, and human simultaneously.[2][3] Colin de Plancy wonders if Bael is the same as the Canaanite deity Baal,[3] a reasonable conclusion.[5][6] In the Livre des Esperitz, Bael (as Beal) is described as a king ruled by Orient (Oriens), still possessing the power of invisibility, as well as the power to garner the favor of others, but ruling over only six legions of demons.[7] The Liber Officium Spirituum features Baal, Baall, Boal, or Boall, again a hoarsely-voiced king (or sometimes a soldier), with not only powers of invisibility but also sciences and love.[8] Sloane MS 3824 mentions Baal, in "Of the Demon Rulers," as a king ruled by Oriens, attributed with teaching science, (again) granting invisibility, and controlling 250 legions of spirits.[9] Bael appears in later editions of the Grimoire of Pope Honorius, under Astaroth, as a prince whose powers include (again) invisibility and popularity.[10] In the Grand Grimoire, Bael (as Baal) is listed as a subordinate of Lucifuge Rofocale.[11] According to Rudd, Bael is opposed by the Shemhamphorasch angel Vehuiah.[12]
Articles relating to Baal, a title and honorific meaning "owner," "lord" in the Northwest Semitic languages spoken in the Levant during antiquity. From its use among people, it came to be applied to gods. The title is particularly associated with the storm and fertility god Hadad.
One night, Jack and his savages steal a knife from Ralph so they can make more spears, but accidentally trample on Piggy's glasses in the process, breaking one lens. Expecting to be rescued, Ralph's civilized leadership establishes a permanent signal-fire to alert passing ships of their presence on the island. Not expecting or wanting to be rescued, Jack's savage leadership adapts to circumstance; he establishes his camp as spear-bearing hunters who provide meat for both camps. They kill a wild pig and leave its head as an offering to the "monster" that they believe is in the cave. Eventually, identical twins Sam and Eric (Andrew Taft and Edward Taft), two of Ralph's friends, leave him to join Jack's tribe, leaving Ralph with only Piggy and Simon left.
Meanwhile, Simon finds the pig's head on the stick. He then uses a glow stick to explore the cave and discovers the corpse of Capt. Benson. Simon realizes Capt. Benson was what the boys thought was the monster and runs to the beach in an attempt to alert the boys of his discovery, but his waving of the glow stick frightens the other boys, who mistake him for the monster and stab him to death with their spears. The following morning, Ralph blames himself and Piggy for not stopping the hunters from killing Simon. Meanwhile, Jack tells his gang that the "monster" can come in any different form.
After Piggy's glasses are stolen by Jack's savages that night so they could make fire, Piggy and Ralph travel to Jack's camp at Castle Rock, attempting to call a meeting using the conch. Piggy insists that everyone be sensible and work together, but Jack's savages refuse to listen. As Piggy speaks, Roger pushes a boulder off a cliff which lands on and kills Piggy. Ralph swears revenge on Jack, and Jack takes it as a threat. With his hunters, Jack drives Ralph away by throwing rocks at him. Later that night, Ralph secretly returns to Castle Rock to visit Sam and Eric, who warn him that the hunters will chase after Ralph on Jack's orders.
The following morning, Jack and his hunters begin setting the jungle on fire to force Ralph out of hiding and kill him. Just barely dodging the spreading fire and Jack's hunters, Ralph makes a desperate run to the sea. He falls onto the beach, where he encounters a U.S. Marine Corps officer pilot who has just landed on the island with other Marines after having seen the fire that engulfed much of the island. As the hunters watch in stunned silence, they reflect upon their savage behavior while Ralph breaks into tears.