Jeff Koons

Art in Embassies Program Gave Podestas, Jeff Koons, Rockefellers, Clintons, Marina Abramovic, Rothschilds even James Alefantis Comet Ping Pong owner access to a private shipping channel that could bypass airport security; Sourced | (Pedogate) This is Big

https://www.reddit.com/r/conspiracy/comments/6jcxo7/art_in_embassies_program_gave_podestas_jeff_koons/?st=JOSV9B2T&sh=59dc66f9

https://www.nytimes.com/2019/05/17/arts/jeff-koons-auction-christies.html

Summary

Welcome to Skull and Bones. The Foundation for Art and Preservation of Embassies is made up of dozens of billionaire families and politicians with ties to the global elite who are able to ship artwork around the world without passing through conventional security channels. They have partnered with the Rothschild, and Alefantis, The Podestas and Hillary Clinton are involved.

http://i.imgur.com/DuSqSGy.jpg

Body

50 years ago, the museum of Modern Art decided to spread “cultural diplomacy” by establishing a program whereby artworks could be spread around the world through American embassies. This matches similar exchange programs by the UK (GAC) and France (Foundation Pompidou, French-American Foundation). Hillary Clinton wrote an article for Vanity Fair 1 celebrating the 50th anniversary of the program. Here are some of them posing for a photo. 2

1 ( http://www.vanityfair.com/news/politics/2013/02/hillary-clinton-art-embassies )

2 ( http://i.imgur.com/6bxyWUV.jpg )

Clinton Art Embassies

Diplomacy of Art - Feb 2013

by Hillary Clinton

n my line of work, we often talk about the art of diplomacy as we try to make people’s lives a little better around the world. But, in fact, art is also a tool of diplomacy. It reaches beyond governments, past the conference rooms and presidential palaces, to help us connect with more people in more places. It is a universal language in our search for common ground, an expression of our shared humanity.

That’s why Art in Embassies is so important. The Museum of Modern Art first envisioned this global visual-arts program in 1953, and President John F. Kennedy formalized it at the U.S. Department of State in 1963. Working with over 20,000 participants globally, including artists, museums, collectors, and galleries, this landmark public-private partnership shares the work of more than 4,000 American and international artists annually in more than 200 U.S. Embassies and Consulates around the world. These can be exhibitions, permanent collections, site-specific commissions, or two-way artist exchanges. Many remarkable artists have been involved with Art in Embassies, and this year we were proud to award the first biennial U.S. Department of State Medal of Arts to Cai Guo-Qiang, Jeff Koons, Shahzia Sikander, Kiki Smith, and Carrie Mae Weems.

Just think about what an exhibition of American and local artists means to someone across the world yearning to express herself or himself. Artists push boundaries and show what the human spirit is capable of, forming bonds of understanding with people they may never know. For over 50 years, Art in Embassies has showcased the best of this talent. I am grateful, as it promotes creativity, ignites collaboration, and builds on American diplomacy.

https://www.vanityfair.com/news/politics/2013/02/hillary-clinton-art-embassies

>>>Cai Guo-Qiang, Jeff Koons, Shahzia Sikander, Kiki Smith, and Carrie Mae Weems

Jeff Koons

https://www.nytimes.com/2019/05/17/arts/jeff-koons-auction-christies.html

M.I.T. Happily Accepted Epstein Money, Labeled it “Anonymous” and Referred to the Sex Offender as “Voldemort”

by Bongino Staff Posted: September 9, 2019

https://bongino.com/mit-was-more-than-happy-to-accept-epsteins-money-labeled-it-anonymous/

HOW AN ÉLITE UNIVERSITY RESEARCH CENTER CONCEALED ITS RELATIONSHIP WITH JEFFREY EPSTEIN

By Ronan Farrow

September 7, 2019

New documents show that the M.I.T. Media Lab was aware of Epstein’s status as a convicted sex offender, and that Epstein directed contributions to the lab far exceeding the amounts M.I.T. has publicly admitted.

>>>Perhaps most notably, Epstein appeared to serve as an intermediary between the lab and other wealthy donors, soliciting millions of dollars in donations from individuals and organizations, including the technologist and philanthropist Bill Gates and the investor Leon Black.

>>>According to the records obtained by The New Yorker and accounts from current and former faculty and staff of the media lab, Epstein was credited with securing at least $7.5 million in donations for the lab, including two million dollars from Gates and $5.5 million from Black, gifts the e-mails describe as “directed” by Epstein or made at his behest. The effort to conceal the lab’s contact with Epstein was so widely known that some staff in the office of the lab’s director, Joi Ito, referred to Epstein as Voldemort or “he who must not be named.”

https://www.newyorker.com/news/news-desk/how-an-elite-university-research-center-concealed-its-relationship-with-jeffrey-epstein?irclickid=zlV2DxVWLxyJTIBwUx0Mo3cwUklSKUWByQdaRk0&irgwc=1&source=affiliate_impactpmx_12f6tote_desktop_Viglink%20Primary&utm_source=impact-affiliate&utm_medium=27795&utm_campaign=impact&utm_content=Online%20Tracking%20Link&utm_brand=tny

>>8052001

Jeff Koons with Rockefellers at FAPE event.