>>8771451

http://www.cropcircleconnector.com/articles20172018/10122018/10122018.html

Here some excerpts of the article for your own viewing pleasure. Please feel free to read the whole article if you find the following interesting:

>Did a small scout team consisting of “Q” and his friends land on Earth during the solar eclipse of August 21, 2017, then later begin broadcasting to the world? We can learn a lot from the Sutton Hall crop picture of August 17, 2017 which is now fully solved.

>the extra-terrestrial man “Q” suggested in crops that he would “broadcast to the whole world” after he (supposedly) landed in August of 2017. Today more than one year later, we still do not see anyone named “Q” broadcasting, except on the “Q-anon” website! Could Q-anon be the same person as Quetzalcoatl?

>Hardly any of the general public will take such concerns seriously because (1) they do not believe in UFOs or crop circles, and (2) they have no idea that the major E.T. crop artist calls himself “Q”. Nevertheless, if you the reader already know and understand points (1) and (2), then you should find this article very interesting indeed. Let us get started

>’’Flying to Earth in a metaphorical “reed boat” on the day of a solar eclipse, then “broadcasting” to the whole world’’

>This crop picture showed in one horizontal orientation the image of a “reed boat”, which seemed to be headed “nose-first” into the large schematic image of a “solar eclipse” (on the left). There our round Moon was passing in front of the Sun, so as to create a bright “crescent” shape: (first pic related)

>Then in a vertical orientation, that Sutton Hall crop picture showed the image of a “radio broadcast tower” (on the right)

>did they plan to come down to Earth and begin broadcasting themselves? Why did they include in their field drawing the image of a solar eclipse, which would take place several days later on August 21?

>We can see a similar Sumerian “reed boat” at the Concourse in Chatswood not far from here (shown in the lower centre of first pic related). It is part of elegant outdoor sculpture titled “Visiting Enki” (see http://dev.publicartworks.com.au/portfolio/wendy-mills-aus/). That is a good clue! We seem to be on the right track, and may just have to follow this “trail of breadcrumbs” a little further.

>’’Their crop-drawn “broadcast tower” pointed toward the control tower for London Southend Airport: were they coming in to land?’’

>Here is another useful bit of information: the lower base of that crop-drawn “broadcast tower” pointed toward the control tower for London Southend Airport, not far away: (second pic related)

>Did this mean that they were ”coming in to land”, like for an ordinary airplane at an airport? Were some of those E.T. crop artists planning to land on Earth in their metaphorical “reed boat” spaceship, then begin broadcasting somehow to the world to announce their presence?

>>8771516

>That is a nice theory, but we can’t really know for sure what this crop picture means, until we solve a cryptic “letter-symbol” code which was drawn within 17 of 21 rectangular “boxes” from its “reed boat” motif. “Q” is the 17th letter of our alphabet, while “21” was the day of a solar eclipse

>Solving this visual puzzle using scissors, paper and glue: what does it say? (third pic related)

>All we have to do is to print a detailed sketch of the crop picture on a large sheet of paper, then use scissors to cut all of its 17 filled “rectangular boxes” into small, separate pieces. Next we can explore by trial-and-error, how to arrange those 17 pieces in some fashion which might yield a sensible result

>Just to the right of that small capital letter “Q” (in third pic related), we can see the distinctive F/J-shaped signature of Quetzalcoatl, which has been drawn in crops many times

>Just above that blue letter “Q” and the artist’s F/J-shaped signature, we can see two more “boxes” which seem to show a small “serpent” headed from left to right, with an airplane-type of “antenna” curved to the left over his “head”. Perhaps that small “serpent” still was out in space, headed to Earth on August 17, 2017?

>(still third pic related)At centre right, we can see another phrase (spread over four “boxes”) which reads “E.t.a. (tick-tock)” and has been labelled in green. “E.t.a.” is an abbreviation for “Estimated time of arrival”, like for the time of an airplane or spacecraft landing. A similar phrase of “ETA” was drawn in crops near a gun-practice range at Barbury Castle on July 20, 2016

>Their “tick-tock” symbol resembles a “pendulum clock” which was drawn in crops near Cherhill on April 16, 2017 (see http://www.cropcircleconnector.com/2017/cherhill/articles.html)

>Finally at lower right, we can see another three rectangular “boxes”. They suggest a number “3” by means of three small white squares in the first box, followed by Morse code for a letter “I” (dot-dot) in the second box, and Morse code for a letter “K” (dash-dot-dash) in the third box. That unusual phrase of “3 IK” may refer to a certain date in the Mayan Tzolkin calendar, which took place four days later on August 21, 2017, and was the date of a total solar eclipse

>’’Did Quetzal head for Earth with an E.t.a. of “3 IK” on August 21, 2017, with the plan of “broadcasting” to the whole world after he arrived?’’

On Q+

>Carvings or sculptures of Quetzalcoatl as a “space traveller” from ancient Mayan times, and the image of a “plus” or “cross” shape on his aircraft

>If you go to the British Museum in London, they have on display there (along with many other Mayan or Aztec artefacts) a beautiful piece of green jade, which was carved with an image of Quetzalcoatl from two-thousand years ago. We can see a photograph of this historical artwork in the upper-left-hand part of fourth pic related. Our friend Quetzal was being represented there as the “pilot” of an “aircraft” of some kind. If we look closely, we can see on the left-hand “nose” of his aircraft a small “plus” sign or “cross”, surrounded by four small circles

>The mysterious “Q-anon”, who has been posting on the Internet since October 28, 2017, often signs his name as “Q+” or “Q+++”. We see now that this “+” symbol might be Christian in nature, and could have been used by Quetzalcoatl 2000 years ago.

>>8771521

>The ancient Mayans called him a “jester god”, and wore that same three-lobed jester’s hat in his fond memory. We can confirm easily that the modern-day Quetzalcoatl, when acting as a crop artist, is still a talented joker or jester:

>For example, in a highly-comical crop picture shown at upper right (of fifth pic related), he is “thinking about grey aliens” while “smoking his pipe”

>Appendix 4. Unexpected and convincing proof: who has the power to make planet Earth “ring like a bell” at the frequency 17 Hz of their letter-name “Q”?

>“What happened on 11-11-2018?” someone asked “Q” on the Internet. ”Think waves world-wide [17]”, Q-anon replied on December 2, 2018. Those left-right brackets denote a “number inside”, like in the E.T. binary codes given to a military man C.J. near Atlanta in 2015.

>What he means is that all of planet Earth rang unexpectedly like a “bell” with “waves world-wide”, at a single, pure frequency of 17 Hz on 11-11-2018. Our geologists have no explanation for it (see https://www.nationalgeographic.com/science/2018/11/strange-earthquake-waves-rippled-around-world-earth-geology/)

>In other words, a “bell of freedom and liberty” rang at a monotone frequency of 17 Hertz (matching the alphabet letter “Q”) for 20 minutes, centred in the ocean off the east coast of Africa: (sixth pic related)

>>8771525

Second article:

http://cropcircleconnector.com/articles20172018/12112018/12112018.html

>The Quetzalcoatl Headdress from 2009 (seventh pic related)

>The first “Q-anon” trip-code

>The login or trip-code which “Q-anon” used, when he first began posting anonymously on the Internet ~~in late October of 2017~~ (author of the article is actually referring to the first 8chan Q tripcode), looked like the mirror-image of “QVEZLTAwox!”. Those scrambled letters might suggest in turn a less-scrambled version as “QUETZAL vox!”, meaning the “voice of Quetzal!” in Latin. Trip-codes often feature slightly-scrambled English words. In 2015, our crop-artist friend drew in crops near Torino, Italy a binary-computer message which read “timeo ET ferentes!”, also in Latin.

>Several symbols for “Q” or Quetzalcoatl, as the 17th letter of the alphabet, were drawn in crops near Wootton Wawen on August 8, 2017, then near Sutton Hall on August 17, 2017, in accord with the currently-popular practice of calling Q-anon by his coded number of “17”

>here are some more examples in seventh and nineth pic related

>A large “Q” symbol with 17 “light rays” appeared near Wootton Wawen on August 8, 2017 (nineth pic related). The overall metaphor of this clever crop picture at Wootton Wawen was that some person “Q” may have come from the Pleiades (which shows a long “star trail”, resembling the long and narrow part of this crop picture with many “dots” as shown on the left), in order to lead us to a green and vibrant “Tree of Life” nearby, which is shown on the left-hand side as well:

>(still nineth pic related, upper right segment) Seventeen segmented “light rays” were drawn around the centre of this crop picture, and surround what seems to be a large, capital letter “Q” at its base. They also match in number the 17th position of any letter “Q” in our alphabet

>“Q-anon” began to post on the Internet just two months after these “Q” (17) crop pictures appeared

>>8771536

A brief history of crop circles and their validity

http://www.davidpratt.info/cropcirc1.htm ‘’(site is very often not available, try at a later time if the link is not working)

>When Doug and Dave claimed to have invented the crop circle phenomenon as a joke in 1978, they weren’t aware that almost 300 documented formations predated their alleged exploits. There are sporadic reports of crop circles being found in England throughout the 20th century. But reports actually go back several centuries earlier.

>In 16th and 17th century folklore we find stories about fairies and elves seen dancing in the fields and leaving circles of trodden grass. The earliest representation of a crop circle occurs in a woodcut from 1678, which depicts the ‘Mowing Devil’ reaping a field of oats into a flattened circle. The story behind it is that a farmer refused to pay the amount asked by a particular reaper, muttering that he would rather the Devil took his oats. During the night strange sounds and lights were heard and seen, and the following morning the farmer found part of his crop lying in neat circles. (pic related ‘Mowing Devil’)

> In 1686 a British scientist, Robert Plot, published a book entitled A Natural History of Staffordshire, which contained accounts of geometric areas of flattened plants found on both arable land and pastureland. He describes not only circles but also spirals and squares within rings, up to 150 feet across. He reports that the soil under them was much looser and drier than normal, and that a whitish, musty substance or hoar, ‘like that in mouldy bread’, was sometimes found on the plants. He hypothesized that the designs were created by lightning exploding from the clouds. In July 1880 the science journal Nature published a letter from a scientist who described finding multiple circular areas of flattened wheat on a farm in southern England. He suggested they were the result of ‘some cyclonic wind action’. (see pic related ‘illustration by Robert Plot’)

Characteristics of crop circles

>In the best ‘authentic’ crop circles, the flattened plants tend to be largely undamaged (until visitors arrive!) and to continue growing, whereas in hoaxed circles the stalks are generally broken, crushed and often killed. The stalks of flattened vegetation in genuine formations are bent at angles of up to 90 degrees, and are often laid in a strikingly intricate and beautifully woven fashion.

>Circular components of a design are usually swirled clockwise or anticlockwise from a centre point outwards. But instead of the swirl going round and round out from the centre in a tight spiral, as tends to be the case in man-made formations, it often flows widely outwards, sometimes in a distinct S-shape. Spirals are often made of thin strips, not 3-ft-wide swaths, as when planks or garden rollers are used. Where different flows merge, the plants tend to be plaited over and under one another, suggesting that all the plants have collapsed in opposing directions simultaneously. (see pic related ‘woven crop1’ and ‘woven crop 2 – bird nest pattern’)

>>8771544

Finally, more reading (and viewing) material for those interested:

http://www.cropcircleconnector.com/anasazi/cropcircleresearch.html

https://www.cropcirclesandmore.com/geometries/200702mhm.html

https://www.youtube.com/watch?v=DjEmViAs8WA&feature=youtu.be

http://www.cropcircleconnector.com/articles/09052016/09052016.html