>>12158317

(Please read from the start)

I’m still unsatisfied with what I’m reading either about the Quimbaya civilization or those little “airplane” like artifacts. So I did what an old archaeologist like me usually do = go back to the artifact itself. And this is how I decided to take a look at some of the artifacts displayed at the Gold Museum of Bogota, Columbia.

1 – My first picture is for the headdress represented on this breastplate. It should be compared to the others from other cultures.

2 – The second picture depicts on the upper end of the artifact, a person with wings; reminding me of the Birds of Prey headgear I’ve mentioned many times already in this thread. Which in turn indicated that the individual flying gear we’ve seen in other cultures/ civilizations is also (at least) known, if not present and used, in the Quimbaya civilization.

3 - Pictures 3 and 4 are representations of birds. If I’m not mistaking those are used as pendants or amulets. But anons….did you notice something? They are represented, designed, stylized in a complete different way from our “little airplane” artifacts. If the Main Stream or Alternative Historians argue that these mysterious plane like artifacts are actually animal shaped that way in a peculiar artistic style, I can counter that argument by displaying these bird pendants. You gotta understand something about ancient cultures = they don’t make huge leaps in artistic rules and styles in a short period of time. They use most of the time stereotyped iconography; like for example they want to draw an apple, this it is and how it’s not….period. There is no option A, B, C etc. What they do is dedicate a specific TYPE of design for a SPECIFIC object, making the same shape, but they alter the details and fine work within the stereotyped rough design so all the craftwork won’t be the same = if it’s not varied, it will become boring and unattractive to customers.

Here we have the animal represented as what we see in pictures 3 and 4 = totally different design from our little airplanes. Now if anons are not convinced of what I’m saying, take a look at the series of those little airplanes and then take another look at the series of bird pendants. We can easily classify them, separate them into 2 categories based on their design. It’s obvious when you put both series one next to the other that we are dealing with 2 different objects represented: one seems to look like miniature planes, while the second is obviously looking like birds.

5 – And the fifth picture is here to also prove this point I made, since our little airplane artifacts have different designs, not just birds….I’ve also taken a look to the impressive series of animals in the Gold museum of Bogota. Here again, it’s clear, we are dealing with the representation of real animal…and upon closer examination, anons will notice how lifelike these animals are. While such animals are represented in a totally different design when it comes to our little airplanes. There, the main shape is that of a plane, not the animal. Compare it yourselves and make up your own minds.

For me, this brushes away the hypothesis that these miniatures are representation of animals and birds, since we do have the real ones to compare them with. This leaves us with a rather strange hypothesis that these miniatures could actually represent real flying machines of some sort. Anons shouldn’t be surprised at all since we’ve seen the Helicopter glyph and the Saqqara bird already representing flying machine….looking like nowadays flying crafts on top of everything. So the mystery is not a 100% solved here, but we did manage to eliminate some possibilities = wrong paths of interpretation as to what these artifacts might be = narrowing the possibilities. This is where I was at the beginning but gradually, with each new additional discovery, my thoughts evolved and I finally came to the conclusion that these artifacts are MOST PROBABLY a miniature replica of ancient aircrafts. Anons will understand me better at a specific point in this thread later on.

• Page 573 –

>>12167763

(Please read from the start)

Before I move on, I want to make a tiny detour and talk about a very specific movie and a band related to it. It’s the movie called TRON: LEGACY.

https://en.wikipedia.org/wiki/Tron:_Legacy

“Tron: Legacy (stylized as TRON: Legacy) is a 2010 American science fiction action film directed by Joseph Kosinski, in his feature directorial debut, from a screenplay written by Adam Horowitz and Edward Kitsis, based on a story by Horowitz, Kitsis, Brian Klugman and Lee Sternthal. It is a sequel to the 1982 film Tron, whose director Steven Lisberger returned to produce. The cast includes Jeff Bridges and Bruce Boxleitner reprising their roles as Kevin Flynn and Alan Bradley, respectively, as well as Garrett Hedlund, Olivia Wilde, James Frain, Beau Garrett and Michael Sheen. The story follows Flynn's adult son Sam, who responds to a message from his long-lost father and is transported into a virtual reality called "the Grid," where Sam, his father, and the algorithm Quorra must stop the malevolent program Clu from invading the real world.

[…]

Daft Punk composed the musical score, incorporating orchestral sounds with their trademark electronic music.”

>> Please pay close attention to the details from here on anons.

“Plot

Seven years after the events of the first film, Kevin Flynn, who has been promoted to CEO of ENCOM International, disappears. Twenty years later, his son Sam, now ENCOM's primary shareholder, pranks the corporation by releasing the company's signature operating system online for free. ENCOM executive Alan Bradley, Flynn's old friend, approves of this, believing it aligns with Kevin ideals of open software. Nonetheless, Sam is arrested for trespassing.”

>> [K]evin [F]lynn = 11 – 6 . Interesting, right? Then there is the name of “FLYNN”, reminding me of our good old great general, right? My favorite notable number = 7.

“Alan posts bail for Sam and tells him of a pager message originating from Flynn's shuttered video arcade. There Sam discovers a hidden basement with a large computer and laser, which suddenly digitizes and downloads him into the Grid, a virtual reality created by Flynn. He is captured and sent to "the Games", where he must fight a masked program named Rinzler. When Sam is injured and bleeds, Rinzler realizes Sam is human, or a "User". He takes Sam to Clu, the Grid's corrupt ruling program, who resembles a young Kevin.”

>> Doesn’t the Grid, reminds you of the N.S.A. and what they do there? Virtual reality: Facebook? The Games is how the public is controlled. Clu is (((them))). The “Grid” was taken over by CLU = the Bloodline. The “ruler” in this case: Clu is nothing but a mere mirror or imitation, a fake copy of the REAL “Creator” = Kevin FLYNN; I will ask anons to reflect deeply about this. It’s important if you want to unlock the mystery of the Phoenicians. I’m not sure where to put Rinzler.

• Page 574 –

>>12167772

(Please read from the start)

“Clu nearly kills Sam in a Light Cycle match, but Sam is rescued by Quorra, an "apprentice" of Flynn, who shows him Kevin's hideout outside Clu's territory. She tells him that Kevin had been working to create a "perfect" computer system, and had appointed Clu and security program Tron as its co-creators. The trio discovered a species of naturally occurring "isomorphic algorithms" (ISOs), with the potential to resolve various natural mysteries. Clu, considering them an aberration, betrayed Kevin, killed Tron, and destroyed the ISOs. The "Portal" permitting travel between the two worlds closed, leaving Kevin trapped in the system. Clu sent the message to Alan in order to lure Sam into the Grid and reopen the Portal for a limited time. Since Kevin's "identity disc" is the master key to the Grid and the only way to traverse the Portal, Clu expects Sam to bring Kevin to the Portal so he can take Kevin's disc, go through the Portal himself, and impose his idea of perfection on the human world.”

>> Read carefully anons: Quorra is spelled coincidently with a “Q”, not a K or C. I don’t know if I’m correct or wrong about this, but the name Quorra also reminds me of CORE = heart. It turned out she is the “apprentice” of Flynn…What was Potus’ tv program called again? Yup! I’m sure all of this is a coincidence. Then whom is obsessed into “creating (((their))) perfect utopic system” called N.W.O.? Did a “mutation” create the I.S.O.s? What is considered as a “Natural Mystery”? How life is created? What is death? Are those 2 among the many big mysteries of life and nature? Clu, unable to accept the existence of the I.S.O.s tries to overthrow the Creator and takes power to create his perfect system (in his eyes) = a coup. Reminds you how some angels fell from Heaven, doesn’t it? TRON was killed (supposedly) during the COUP. But what does Tron represent = a knight?

Ahh! There is a PORTAL = a special PORTAL that enables one to travel from one world to another; not just that, it enables one to travel from the physical world to the virtual world. Doesn’t that remind the reader of the “portal” the bloodlines want to open between our physical, material world and the spiritual world in order to bring the spirit of the Anti-Christ to earth? And WHOM can open that PORTAL? Only ONE person possess the KEY to open THAT PORTAL = the CREATOR ^_^ and…..his son = his bloodline. (((They))) keep (((their))) blood “pure” for this reason. It’s because the portal cannot open without a DIRECT DESCENDANT = a “pure” blood opening it – that’s what (((they))) believe in anyways. The “identity DISK” is the BLOOD. Clue want to take the KEY to open the Portal so he can create his perfect world. Identical to Bloodline ideology, beliefs and Grand Master Plan. We’ve also seen the notion of the KEY in the cartoon “The Mysterious Cities of Gold” and how Esteban has that special ability within him (p. 339).

“Against his father's wishes, Sam returns to Clu's territory to find Zuse, a program who can provide safe passage to the Portal. At the End of Line Club, the owner reveals himself to be Zuse, then betrays Sam to Clu's guards. In the resulting fight, Kevin rescues his son, but Quorra is injured and Zuse gains possession of Kevin's disc. Zuse attempts to bargain with Clu over the disc, but Clu simply takes it, and destroys the club along with Zuse. Kevin and Sam stow away aboard a "Solar Sailer" transport program, where Kevin restores Quorra and reveals her to be the last surviving ISO.”

>> How many people driven by Greed, betray others? The Solar Sailor reminds me of the “Solaris” from the cartoon called “The Mysterious Cities of Gold” (p. 388). I’m sure all of this is nothing but pure coincidence, right? Although not directly said, if you read between the lines, you’ve got this impression that Clu is stuck = trapped in the system and cannot access the physical human world = be free.

• Page 575 –

>>12167787

(Please read from the start)

“The transport is intercepted by Clu's warship. As a diversion, Quorra allows herself to be captured by Rinzler, whom Kevin recognizes as Tron, reprogrammed by Clu. Sam reclaims Kevin's disc and rescues Quorra, while Kevin takes control of a Light Fighter. Clu, Rinzler, and several guards pursue the trio in Light Jets. Rinzler remembers his past as Tron and deliberately collides with Clu's Light Jet, then falls into the Sea of Simulation below. Clu confronts the others at the Portal, where Kevin reintegrates with his digital duplicate, destroying Clu along with himself. Quorra, having switched discs with Kevin, gives Kevin's disc to Sam and they escape together to the real world. In Flynn's arcade, Sam backs up and deactivates the system. He then tells a waiting Alan that he plans to retake control of ENCOM, naming Alan chairman of the board. Sam departs on his motorcycle with Quorra, and she witnesses her first real sunrise.”

>> Anon, compare the Light jet with the Brid of Prey flying gear I’ve been talking about a lot in this thread – you get the idea. Is it that hard for anons to accept the idea of such individual flying machines existed before? As for the Light Fighter, does it look similar, not identical to our little flying planes artifacts from the Quimbaya civilization? I will leave it up to you to decide if it does or not. Then, there is this BIG commander ship used by Clu, that is one very big ship if you ask me. Look at the size of it.

So then we have the father sacrificing himself not just to save his son, but to also save the world. The father knew in advance he was going to die, but he made sure his son got to safety first. We’ve seen this notion before with the cartoon “The Mysterious Cities of Gold” (p. 340) and as mentioned before, we’ve also seen it in a version of the Epic of Gilgamesh, where the main person in the story is called Atra-Hasis (p. 43) whom makes sure his family is put in safety first while he stays behind.

Now my last thought is of Rinzler/Tron….I’m uncertain where to put him. But I’m in the mindset of him being a projection of the public = us, the people. If we are brainwashed (= reprogramed) then we serve our masters the Bloodlines = Clu; we are controlled by them, just like Rinzler was controlled by Clu. But….if we break free from that control, we become Tron, we fight for the USER or should I say the Creator. We become soldiers of the light. Maybe I’m wrong on this one….as I’ve said, I’m uncertain of it…. It’s just a possibility of what Rinzler/Tron can be.

“Production

[…]

Writing

[…]

The writing staff cited The Wizard of Oz as a source of thematic influence for Tron: Legacy in writing the script, with Kitsis stating that "They both have very similar DNA, which is Tron really lives on, in a lot of ways, trying to get home. You're put on this world and you want to go home and what is home? That's in a lot of way inspired us." Kitsis also added that they had to include an "emotional spine to take us into the story or else it just becomes a bunch of moves or gags and stuff," eventually deciding on adding a mysterious destiny to Flynn and giving him a legendary aura - "Kevin Flynn to us was Steve Jobs and Bill Gates all wrapped up into one and John Lennon." The writers decided to create the character of Clu as an evil embodiment of "how you look back on your younger self, (…) that guy [that] thought he knew everything, but he really knew nothing." Bridges liked the idea of the dual perspectives, and contributed with the writers for the characterization of Flynn as a sanguine Zen master by suggesting them to get inspiration from various Buddhist texts. Part of the concepts emerged from a reunion the producers had with scientists from California Institute of Technology and the Jet Propulsion Laboratory to discuss concepts such as isomorphic algorithms and the digitizing of organic matter.”

>> This paragraph is very, very interesting, isn’t it anons?

• Page 576 –

This is the old man,

I want to wish a blessed and a happy Christmas to everyone.

Have a wonderful day.