>>11208382

(Please read from the start)

“Material culture

Ceramics

Moche pottery is some of the most varied in the world. The use of mold technology is evident. This would have enabled the mass production of certain forms. But Moche ceramics vary widely in shape and theme, with most important social activities documented in pottery, including war, metalwork, weaving and sex.

Traditional north coast Peruvian ceramic art uses a limited palette, relying primarily on red and white; fineline painting, fully modeled clay, veristic figures, and stirrup spouts. Moche ceramics created between 150–800 CE epitomize this style. Moche pots have been found not just at major north coast archaeological sites, such as Huaca de la luna, Huaca del sol, and Sipan, but also at small villages and unrecorded burial sites as well.

At least 500 Moche ceramics have sexual themes. The most frequently depicted act is anal sex, with scenes of vaginal penetration being very rare. Most pairs are heterosexual, with carefully carved genitalia to show that the anus, rather than the vagina, is being penetrated. Often, an infant is depicted breastfeeding while the couple has sex. Fellatio is sometimes represented, but cunnilingus is absent. Some depict male skeletons masturbating, or being masturbated by living women.”

>> From the sound of it, it looks like they used to practice “sacred prostitution” in the Moche culture, just like what the Romans used to with Venus’ sacred prostitution.

“Because irrigation was the source of wealth and foundation of the empire, the Moche culture emphasized the importance of circulation and flow. Expanding upon this, Moche artwork frequently depicted the passage of fluids, particularly life fluids through vulnerable human orifices. There are countless images of defeated warriors losing life fluids through their nose, or helpless victims getting their eyes torn out by birds or captors. Images of captive sex-slaves with gaping orifices and leaking fluids portray extreme exposure, humiliation, and a loss of power.”

>> This is very brutal and I must add there is a masoshit side to it = seems like they were combining pain with sexual pleasure.

“The coloration of Moche pottery is often simple, with yellowish cream and rich red used almost exclusively on elite pieces. White and black are rarely used. The Moche are known for their portraiture pottery. The pottery portraits created by the Moche appear to represent actual individuals. Many of the portraits are of individuals with physical disfigurements or genetic defects.”

>> This is rather unexpected and interesting. In most culture, when it comes to art, they usually HIDE or totally OMIT representing physical disfigurements or genetic defects; there are a few exceptions out there of course, like Akhenaten in Ancient Egypt etc. Here with the Moche culture, they seem to appreciate it.

“The realistic detail in Moche ceramics may have helped them serve as didactic models. Older generations could pass down general knowledge about reciprocity and embodiment to younger generations through such portrayals. The sex pots could teach about procreation, sexual pleasure, cultural and social norms, a sort of immortality, and transfer of life and souls, transformation, and the relationship between the two cyclical views of nature and life.”

>> If anons take a look at the pottery, some don’t have any “functional” proprieties and are just there for the shape and artistic design. This is rather curious behavior mostly that it is mentiond the Moche used to have molds for their pottery = meaning serial production, chain production. Also, it’s the first time we’ve encountered a hint to necrophilia with the female having sexual acts with a skeleton pottery mentioned in the text. The importance of fluids reminds me of the Spirit Cooking Mixture I’ve read online about it. It’s stomach turning so I’m not going there.

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>>11234232

(Please read from the start)

“Textiles

The Moche wove textiles, mostly using wool from vicuña and alpaca. Although there are few surviving examples of this, descendants of the Moche people have strong weaving traditions.

Metalwork

The Moche discovered both electrochemical replacement plating and depletion gilding, which they used to cover copper crafts found at Loma Negra in thin layers of gold or silver. Modern attempts were able to recreate a similar chemical plating process using boiling water and salts found naturally in the area.”

>> This is advanced knowledge anons.

“Religion

Both iconography and the finds of human skeletons in ritual contexts seem to indicate that human sacrifice played a significant part in Moche religious practices. These rites appear to have involved the elite as key actors in a spectacle of costumed participants, monumental settings and possibly the ritual consumption of blood. The tumi was a crescent-shaped metal knife used in sacrifices. While some scholars, such as Christopher B. Donnan and Izumi Shimada, argue that the sacrificial victims were the losers of ritual battles among local elites, others, such as John Verano and Richard Sutter, suggest that the sacrificial victims were warriors captured in territorial battles between the Moche and other nearby societies. Excavations in plazas near Moche huacas have found groups of people sacrificed together and the skeletons of young men deliberately excarnated, perhaps for temple displays.

The Moche may have also held and tortured the victims for several weeks before sacrificing them, with the intent of deliberately drawing blood. Verano believes that some parts of the victim may have been eaten as well in ritual cannibalism.[14] The sacrifices may have been associated with rites of ancestral renewal and agricultural fertility. Moche iconography features a figure which scholars have nicknamed the "Decapitator"; it is frequently depicted as a spider, but sometimes as a winged creature or a sea monster: together all three features symbolize land, water and air. When the body is included, the figure is usually shown with one arm holding a knife and another holding a severed head by the hair; it has also been depicted as "a human figure with a tiger's mouth and snarling fangs".[15] The "Decapitator" is thought to have figured prominently in the beliefs surrounding the practice of sacrifice.”

>> Gore, Human Sacrifice, Cannibalism and “display” along with corps mutilation. Does it ring a bell to anons? Whom do we know do these disgusting things nowadays? If I didn’t know better, I would have said it’s like what happens in the underground facility of Epstein Island Temple; or does it? And this torture then drain the blood = isn’t that to extract Andrenochrome? I’m just mind boggled from reading this right now. It’s identical to what we know about the bloodline satanic practiceses. There is no question whom was running the SHOW in the Moche culture.

Also, we’ve seen the concept of the “Elements” before, like in the divine 4 reigns on earth in Ancient Egypt (page 86), even in the Fifth Element movie. But this type is different; we can say it’s not the Elements but Realms. It reminds me of the aftermath of the Titanomachy when the 3 victorious sons of Chronos divided the power between them: Zeus got to rule the sky (=Air), Poseidon got to rule the Sea (=Water) and Hades got to rule the underworld (=Fire). What about the Earth element? = It was assigned to Athena.

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