>>12167802

(Please read from the start)

“Themes

Tron: Legacy is imbued with several references to religious themes, particularly those relating to Christianity and Buddhism. Olivia Wilde's character, Quorra, was inspired/formed by the historical Catholic figure Joan of Arc. Wilde sought inspiration from her six months before production of the film commenced. She, alongside Kosinski, collaborated with the writers on editing the characters so she would contain the characteristics of Joan of Arc. Wilde assessed the characteristics of the figure: "She's this unlikely warrior, very strong but compassionate, and completely led by selflessness. Also, she thinks she's in touch with some higher power and has one foot in another world. All of these were elements of Quorra." Since she epitomizes the concept of androgyny, producers conceived Quorra from an androgynous perspective, notably giving her a short haircut.

[…]

According to screenwriter Adam Horowitz, Kosinski stated that the film's universal theme was "finding a human connection in a digital world." They followed this by "approach[ing] the world from the perspective of character, using Kevin Flynn as an organizing principle, and focus on the emotional relationship from father and son and their reconciliation, which brings profound turns in their respective individual lives.”

>> I will ask anons to read my previous comments about these subjects mentioned here. Strangely, this also reminds me of our good old general’s guilty plea to protect his son. So many coincidences in this movie.

“Musical score and soundtrack album

The French electronic duo Daft Punk composed the film score of Tron: Legacy, which features over 30 tracks. The score was arranged and orchestrated by Joseph Trapanese. Jason Bentley served as the film's music supervisor. An electronic music fan, Kosinski stated that to replicate the innovative electronic Tron score by Wendy Carlos "rather than going with a traditional film composer, I wanted to try something fresh and different," adding that "there was a lot of interest from different electronic bands that I follow to work on the film" but he eventually picked Daft Punk. Kosinski added that he knew the band was "more than just dance music guys" for side projects such as their film Electroma. The duo were first contacted by producers in 2007, when Tron: Legacy was still in the early stages of production […]. They were again approached by Kosinski, eventually agreeing to take part in the film a year later. Kosinski added that Daft Punk were huge Tron fans, and that his meeting with them "was almost like they were interviewing me to make sure that I was going to hold up to the Tron legacy.

The soundtrack started being composed before production had even begun, and is a notable departure from the band's previous works, as Daft Punk put more emphasis on orchestral elements rather than relying solely on synthesizers."Synths are a very low level of artificial intelligence," explained member Guy-Manuel de Homem-Christo, "whereas you have a Stradivarius that will live for a thousand years. We knew from the start that there was no way that we were going to do this film score with two synthesizers and a drum machine." […].”

>> Anons get it: I’m interested in Daft Punk. Remember what we have seen about the movie so far, keep it in mind and now we are going to take a look at Daft Punk and combine what we have found.

• Page 577 –

>>12180907

(Please read from the start)

https://en.wikipedia.org/wiki/Daft_Punk

“Daft Punk are a French electronic music duo formed in Paris in 1993 by Guy-Manuel de Homem-Christo and Thomas Bangalter.They achieved popularity in the late 1990s as part of the French house movement; they also had success in the years following, combining elements of house music with funk, techno, disco, rock and synthpop.They have worn ornate helmets and gloves to assume robot personas in most public appearances since 1999 and rarely grant interviews or appear on television. The duo were managed from 1996 to 2008 by Pedro Winter (also known as Busy P), the head of Ed Banger Records.

After Bangalter and Homem-Christo's indie rock band Darlin' disbanded, they began experimenting with drum machines and synthesisers. Their debut studio album Homework was released by Virgin Records in 1997 to positive reviews, backed by singles "Around the World" and "Da Funk". Their second album, Discovery, had further success, supported by hit singles "One More Time", "Digital Love" and "Harder, Better, Faster, Stronger". In March 2005, Daft Punk released their third album, Human After All, to mixed reviews, though the singles "Robot Rock" and "Technologic" achieved success in the United Kingdom. Daft Punk toured throughout 2006 and 2007 and released the live album Alive 2007, which won a Grammy Award for Best Electronic/Dance Album. They composed the score for the film Tron: Legacy, which was released in 2010 alongside its soundtrack album.

In 2013, Daft Punk left Virgin for Columbia Records, and released their fourth album, Random Access Memories, to acclaim; lead single "Get Lucky" reached the top 10 in the charts of 32 countries. Random Access Memories won five Grammy Awards in 2014, including Album of the Year and Record of the Year for "Get Lucky". In 2016, Daft Punk gained their first number one on the Billboard Hot 100 with the song "Starboy", a collaboration with The Weeknd. Rolling Stone ranked them No. 12 on its list of the 20 Greatest Duos of All Time.”

>> I know a lot of anons might not be convinced about the P = Payseur thingy, but I see a lot of hints pointing to a FRENCH royal connection when it comes to the Master of the Bloodline families. Just read between the lines and smell the fragrance, it’s French royalty. Their fingerprints are all over. Daft Punk are also very connected, magically. If you are in the entertainment business, you know how hard it is to get up the ladder while staying clean. Notice all the symbolism in the picture’s I’ve attached to this page.

“History

[…]

1999–2003: Discovery

The year 2003 saw the release of the feature-length animated film, Interstella 5555: The 5tory of the 5ecret 5tar 5ystem. Daft Punk produced the film under the supervision of Leiji Matsumoto, who is their childhood hero. The album Daft Club was also released to promote the film. It features a collection of remixes previously made available through an online membership service of the same name.”

>> I’ve hinted to the connection between Payseur and the Japanese animation world before.

“On 21 May 2006, Daft Punk premiered their first directed film, Daft Punk's Electroma, at the Cannes Film Festival sidebar Director's Fortnight. The film does not include Daft Punk's music. Midnight screenings of the film were held in Paris theaters starting from the end of March 2007. Initial public comments have since been positive.”

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>>12180919

(Please read from the start)

“The Alive 2006/2007 tour began with a sole United States performance at the Coachella Festival in Indio, California in April 2006. Several festival appearances in Europe followed throughout the summer. Two consecutive performances also took place at the Summer Sonic Festival in Japan, held in Osaka and Chiba City respectively. Daft Punk's final performance of the year occurred in the autumn, when they visited South America and played their second U.S. performance at the Bang! Music Festival in Miami, Florida.”

>> If I make a quick search to the places and institutions Daft Punk were in or worked with or got rewards from….what will I find out? Are all of these Cabal run? Will it connect to human trafficking and/or Pedophilia?

“[…] Daft Punk also mixed and composed much of the music for the Louis Vuitton Spring/Summer 2008 Womenswear Full Show on 7 October 2007.[37] In December 2007, the duo returned to Japan to play a trio of dates.”

>> Louis Vuitton: It’s connected to Gloria Vanderbilt and I personally think it’s Payseur owned brand.

“2008–2011: Tron: Legacy

Following the Alive 2007 tour, the duo focused on other projects. Daft Punk made a surprise appearance at the 50th Grammy Awards on 10 February 2008. The duo appeared with Kanye West to perform a reworked version of "Stronger" on stage at the Staples Center in Los Angeles. […].

[…] On 8 February 2009, Daft Punk won Grammy Awards for Alive 2007 and its single "Harder, Better, Faster, Stronger".

At the 2009 San Diego Comic-Con, it was announced that the duo composed 24 tracks for the film Tron: Legacy. Daft Punk's score was arranged and orchestrated by Joseph Trapanese. The band collaborated with him for two years on the score, from pre-production to completion. The score features an 85-piece orchestra, recorded at AIR Lyndhurst Studios in London. Joseph Kosinski, director of the film, referred to the score as being a mixture of orchestral and electronic elements. The members of Daft Punk also make a cameo appearance as disc jockey programs wearing their trademark robot helmets within the film's virtual world. The soundtrack album of the film was released on 6 December 2010. […].”

>> December is the 12th month of the year, right? = 12 is 6+6. So that means it was released on 6/6/6…. And 2010 is = 3. You think it’s all a coincidence anons?

“In 2010, Daft Punk were admitted into the Ordre des Arts et des Lettres, an order of merit of France. Bangalter and Homem-Christo were individually awarded the rank of Chevalier (knight). On October of that year, Daft Punk made a surprise guest appearance during the encore of Phoenix's show at Madison Square Garden in New York City. They played a medley of "Harder, Better, Faster, Stronger" and "Around the World" before the song segued into Phoenix's song "1901". […].”

• Page 579 –

>>12180937

(Please read from the start)

>> Knighted, just what the Queen of England does to her “special subjects”. Do I need to comment about the Phoenix? Anons whom been reading what I write from the start know where I stand about the bird of fire. And this is an additional proof anons that I was digging in the right direction.

“2011–2015: Random Access Memories

[…] Later that month, a video preview for the song "Get Lucky" featuring Rodgers and Pharrell Williams was played at the 2013 Coachella Valley Music and Arts Festival.[77] The radio edit of the song was released as a digital download single one week later on 19 April 2013. […].

Daft Punk co-produced Kanye West's sixth studio album, Yeezus (2013), creating the tracks "On Sight," "Black Skinhead," "I Am A God," and "Send It Up." "Black Skinhead" was the first track to come from the collaboration, and was composed using drums from Daft Punk's recording sessions for Random Access Memories.”

>> Album number 6 and note the names of the songs. I just have a question: How did Kayne behaved during those years? Did he have any “breakdowns” from the programing he was under?

“For the 56th Annual Grammy Awards, Random Access Memories was awarded the Grammy for Best Dance/Electronica Album, Album of the Year and Best Engineered Album, Non-Classical, while "Get Lucky" received the Grammy for Best Pop Duo/Group Performance and the Record of the Year. Daft Punk performed at the ceremony with Stevie Wonder, Rodgers, Pharrell Williams as well as Random Access Memories rhythm section players Nathan East, Omar Hakim, Paul Jackson, Jr. and Chris Caswell. The ensemble performed "Get Lucky" before moving into a medley consisting of Chic's "Le Freak" and Stevie Wonder's "Another Star" as well as elements of Daft Punk's "Harder, Better, Faster, Stronger", "Lose Yourself to Dance", and "Around the World". The stage backdrop used for the performance was designed by Daft Arts to resemble a recording studio, incorporating a functioning mixing console operated by Daft Punk. Pharrell later released his second studio album G I R L, in which Daft Punk performed additional vocals for the song "Gust of Wind". On 10 March 2014, an unreleased Daft Punk song called "Computerized" surfaced on the Internet. The song features Jay Z and contained elements of "The Son of Flynn" from the Tron: Legacy soundtrack. The song was originally intended to be a single to appear in and promote Tron: Legacy, but it was scrapped after concerns of the lyrical content being too grounded to fit the film.”

>> See how the system works anons. We all know about Jay-Z and how he adores Killary. Not to mention William Pharrell and his RED SHOES. There is so much more, mostly a list of names and brands connected to cabal, French Branch, in what is left of this Wikipedia page. I know some anons are researching such subjects and are creating lists, so they can take a look at it, but I won’t be going there; I don’t want to make my detour too long.

• Page 580 –

>>12180950

(Please read from the start)

As for the song “Get Lucky”, listen to the beginning of the lyrics:

“Like the legend of the phoenix

All ends with beginnings

What keeps the planet spinning (uh)

The force from the beginning

We've come too far to give up who we are

So let's raise the bar and our cups to the stars

She's up all night 'til the sun

I'm up all night to get some

She's up all night for good fun

I'm up all night to get lucky

[…]”

>> The rest of the lyrics are a repetition.

So we have the Phoenix and we have the Ouroboros when they say: “all ends with beginnings”. Then what is this planet mentioned? Is it the Earth? And what does make it, keep it on spinning? At last, I want to ask what is the “Force from the beginning”? What Force? What beginning?

Loads to think about anons. Please combine the findings from Tron: Legacy the movie and what we found from Daft Punk.

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