>>10575710

(Please read from the start)

Next I’m going to step out of the real archaeological world and get into the imaginary world of animation and cartoons. Anons might think this is odd, but before you jump to conclusion too quickly, please read SLOWLY and CARFULLY what comes next. It’s HIGHLY important. Don’t forget to take notes anons.

https://en.wikipedia.org/wiki/The_Mysterious_Cities_of_Gold

“The Mysterious Cities of Gold, originally released in Japan as Esteban, Child of the Sun (Japanese: 太陽の子エステバン, Hepburn: Taiyō no Ko Esuteban) and in France as Les Mystérieuses Cités d'Or, is a French-Japanese animated series co-produced by DiC Audiovisuel and Studio Pierrot.

Set in 1532, the series follows the adventures of a young Spanish boy named Esteban who joins a voyage to the New World in search of the lost Seven Cities of Gold and his father.

The series was originally broadcast in Japan and the French version, edited to have different characterization and music, was subsequently redubbed and distributed in many different countries throughout the world. It is currently licensed for English-language home video release in the United Kingdom, Australia, and North America by Fabulous Films.”

“[…]

Plot

In 1532 a Spanish orphan named Esteban joins Mendoza, a navigator, and his associates Sancho and Pedro, in their search for one of the Seven Cities of Gold in the New World, hoping to find his father. They are joined on their quest by Zia, an Incan girl (who was kidnapped by Gomez, Gaspard, Perez and Mendoza), and Tao, the last descendant of the sunken empire of Mu (Hiva in the English dub).

The series is a mix of ancient South American history, archaeology, and science fiction. The travellers encounter the Maya, Inca, and Olmecs during their journey. They discover many lost technological wonders of the Mu Empire, including a solar-powered ship (the Solaris) and The Golden Condor, a huge solar-powered ornithopter (mechanical bird), capable of traveling considerable distances under the sun's power alone. They are constantly pursued by antagonists Gomez and Gaspard, who are also in search of the Cities of Gold.

The Seven Cities of Gold were built by the Emperor of Hiva over fear of a global war which would destroy all civilization. Such a war did break out, destroying the Empires of Mu and Atlantis when they used the "Weapons of the Sun".[4] The Seven Cities of Gold hold copies of books in their "Universal Libraries" as well as powerful artifacts, including the "Great Legacy", a portable fusion reactor. Other elements of this technology turn up in unexpected places, like the Solaris in Tao's home island, Esteban's and Zia's medallions as keys to the Cities, or Tao's jar as an important piece of the Great Legacy.

Reminiscences of this ancient story are present in Inca legends written on golden quipu, which only Zia can read. This triggers an obsessive quest for the Cities of Gold on the part of the Spaniards Mendoza, Gomez, Gaspard and Francisco Pizarro.

Esteban seeks his long-lost father and is tied to Mendoza, who rescued Esteban from a sinking ship when he was a baby. Esteban seems to have a magical ability to make the Sun appear, which proves to be an invaluable asset throughout the series. Zia also seeks her father, from whom she was taken when she was seven and brought to Spain as a gift to the princess. She has a medallion just like the one Esteban carries.

Tao seeks signs of his ancestors. He possesses an encyclopedia about their lost technology and a mysterious jar which according to the legend, only the High Priest of the City of Gold can open and proves to be the Great Legacy's cooling or control rod system. Mendoza, Sancho and Pedro are motivated by their search for gold, though Mendoza appears to be genuinely fond of the three children.”

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>>10588198

(Please read from the start)

“The Olmecs are the descendants of survivors of the global war who hid under their mountain. Only their elite were able to survive, suspended in cryogenic hibernation. The Olmecs do not appear to be human—or if they were once Human, it is implied that they have horribly mutated from the fallout of the nuclear war that destroyed their ancestors. They are short, thin and have pointed ears and enlarged frontal bones. They are highly intelligent but devious and selfish.

Led by their king, Menator, the Olmecs seek an artifact called the "Great Legacy" in order to power their cryogenic systems, as well as samples of healthy cells from the children in order to combat their mutations and their sterility. Their technology is generally inferior to that of the modern age, and they use weapons such as spears and swords. They maintain some elements of their advanced technological heritage, such as the stasis and medical technology used to keep the elite of the Olmecs in suspended animation until an opportunity arises when they can be revived, powered by what appears to be a geothermal power system.

This power system is destroyed in an escape by the children and Mendoza, starting a frantic search by the Olmecs for the fusion reactor core (the Great Treasure) hidden in the City of Gold. They also have a single flying machine that appears to use very similar technology to that of the Golden Condor. It is armed with some kind of particle beam or focused heat weapon of great power.

Eventually the Olmecs succeed, at great cost, in taking control of the Great Legacy. It begins to melt down without the moderation provided by Tao's jar. The resulting earthquakes and volcanism destroy the City of Gold. A world-threatening meltdown is avoided by the personal sacrifice of Esteban's father who, acting as the High Priest of the Cities, is presumed to be dead after replacing the jar. At the end of the series Mendoza, Sancho, and Pedro, having salvaged some gold before the City's destruction, return to Spain—while Esteban and his friends set out across the Pacific on the golden condor in search of the remaining Cities.

[…]

Sequel

Three new seasons of 26 episodes each are in production, picking up the storyline where the 1982 series left off. Unlike the original series, this sequel is produced entirely in France; as a co-joint venture between the French television channel TF1, the Belgian channel La Trois, the French animation company Blue Spirit and Jean Chalopin's company Movie-Plus Group.[21] The new seasons see the series move to China and subsequently Japan.[22] The design of the characters are more or less the same, although some subtle changes have been made to their physical appearances. Jean Chalopin and Bernard Deyriès act as creative consultants on the new series, with Chalopin concentrating particularly on the scripts (which are written by Hadrian Soulez-Lariviere from Chalopin's own draft for the sequel) and Deyriès focusing particularly on the graphical aspects. New background music is composed by the original theme song's singer Noam Kaniel.[23]

A 45-minute special, consisting of the first two episodes of the new series, was released on December 9, 2012 on TF1. The series started its regular airing during the first half of 2013. Like the 1982 series, each episode has a summary of the previous episode, a teaser to the next and a small documentary at the end.[24] The voices for the English-language version were recorded in Paris under the direction of voice director, Matthew Géczy. The sequel received a premiere on the Kix (UK and Ireland) channel in the United Kingdom on November 9, 2013 before a daily airing due to start on November 11, 2013.

In 2016, the third season of the show started production.”

>> Very very very interesting cartoon animation if you ask me. I hope anons also noticed the details in the drawings.

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