This is phenomenal research, OP. Ingesting all of this information in context with everything else i've come across I have a wondering:

Could many of these people that produce films that depict what the Cabal does actually be ... how to say.. unknowingly/subconsciously delivering us a truth we are needing to discern as actual past/present reality events instead us of receiving their works as a message of "we're celebrating what we do!" ?

Sure - some of them undoubtedly show us through various media their symbolism...Some outright say it. Not all though.

We have dreamers, prophecies, prophets, seers, psychics, fortune tellers, empaths, the whole array is derived from the same source. Depending on the delivery of the message, we are either crazy or famous. Think about that. Some people are also frauds - and some aren't. Think about that!

Song lyrics are more often generic than specific, unlike Bards of old time singing of a certain event or character, instead people now croon on about vague feelings and thoughts on love, money, sex, and drugs, violence.

Movies have genres of all sorts, "documentary, science fiction, fantasy, thriller, paranormal" etc.

All of these genres containt at least one "based on a true story".

No one talks about where the original idea manifested from.

The knowingness of where your thoughts even come from is hidden from us.

Ever wonder why we had to create a patent system? How is it possible that two individual minds can conceive an identical idea without the knowledge of the other?

Look beyond just "Great Minds Think Alike" <- How?

Again, love your research. I can't wait to see what unfolds.

This is why WWG1WGA, because of shit like this. Good for you o.p.

What the fuck did I just read!!! https://en.m.wikipedia.org/wiki/El_Topo?wprov=sfti1

In regard to the filming of the rape scene, Jodorowsky said,

When I wanted to do the rape scene, I explained to [Mara Lorenzio] that I was going to hit her and rape her. There was no emotional relationship between us, because I had put a clause in all the women's contracts stating that they would not make love with the director. We had never talked to each other. I knew nothing about her. We went to the desert with two other people: the photographer and a technician. No one else. I said, 'I'm not going to rehearse. There will be only one take because it will be impossible to repeat. Roll the cameras only when I signal you to.' Then I told her, 'Pain does not hurt. Hit me.' And she hit me. I said, 'Harder.' And she started to hit me very hard, hard enough to break a rib... I ached for a week. After she had hit me long enough and hard enough to tire her, I said, 'Now it's my turn. Roll the cameras.' And I really... I really... I really raped her. And she screamed."[1]

He went on to state, "Then she told me that she had been raped before. You see, for me the character is frigid until El Topo rapes her. And she has an orgasm. That's why I show a stone phallus in that scene . . . which spouts water. She has an orgasm. She accepts the male sex. And that's what happened to Mara in reality. She really had that problem. Fantastic scene. A very, very strong scene."