AntMan ID: 622916 May 19, 2018, 4:35 p.m. No.7144   🗄️.is 🔗kun   >>7189 >>7290 >>7292

>>7141

 

I would be playing the fools card if I tried to interpret the emerald tablets for you my friend. It is not a long read and it may help you to read it by your own free will choice.

 

The Emerald Tablet, also known as the Smaragdine Table, or Tabula Smaragdina, is a compact and cryptic piece of the Hermetica reputed to contain the secret of the prima materia and its transmutation. It was highly regarded by European alchemists as the foundation of their art and its Hermetic tradition. The original source of the Emerald Tablet is unknown. Although Hermes Trismegistus is the author named in the text, its first known appearance is in a book written in Arabic between the sixth and eighth centuries. The text was first translated into Latin in the twelfth century. Numerous translations, interpretations and commentaries followed.

 

The layers of meaning in the Emerald Tablet have been associated with the creation of the philosopher's stone, laboratory experimentation, phase transition, the alchemical magnum opus, the ancient, classical, element system, and the correspondence between macrocosm and microcosm.

 

Keep being and doing.

AntMan ID: 622916 alchemical magnum opus May 19, 2018, 7:42 p.m. No.7189   🗄️.is 🔗kun   >>7190 >>7327

>>7144

 

alchemical magnum opus

 

The Great Work (Latin: Magnum opus) is an alchemical term for the process of working with the prima materia to create the philosopher's stone. It has been used to describe personal and spiritual transmutation in the Hermetic tradition, attached to laboratory processes and chemical color changes, used as a model for the individuation process, and as a device in art and literature. The magnum opus has been carried forward in New Age and neo-Hermetic movements which sometimes attached new symbolism and significance to the processes. It originally had four stages:[1][2]

 

nigredo, a blackening or melanosis

 

albedo, a whitening or leucosis

 

citrinitas, a yellowing or xanthosis

 

rubedo, a reddening, purpling, or iosis

 

The origin of these four phases can be traced at least as far back as the first century. Zosimus of Panopolis wrote that it was known to Mary the Jewess.[3] After the 15th century, many writers tended to compress citrinitas into rubedo and consider only three stages.[4] Other color stages are sometimes mentioned, most notably the cauda pavonis (peacock's tail) in which an array of colors appear.

 

The magnum opus had a variety of alchemical symbols attached to it. Birds like the raven, swan, and phoenix could be used to represent the progression through the colors. Similar color changes could be seen in the laboratory, where for example, the blackness of rotting, burnt, or fermenting matter would be associated with nigredo.

 

Lateralus"

 

Black then white are all I see

In my infancy.

Red and yellow then came to be,

Reaching out to me,

Lets me see.

 

As below, so above and beyond,

I imagine drawn beyond the lines of reason.

Push the envelope. Watch it bend.

 

Over-thinking, over-analyzing separates the body from the mind.

Withering my intuition, missing opportunities and I must

Feed my will to feel my moment drawing way outside the lines.

 

Black then white are all I see

In my infancy.

Red and yellow then came to be,

Reaching out to me.

Lets me see

 

There is so much more

And beckons me

To look through to these

Infinite possibilities.

 

As below, so above and beyond,

I imagine drawn outside the lines of reason.

Push the envelope. Watch it bend.

 

Over-thinking, over-analyzing separates the body from the mind.

Withering my intuition, leaving opportunities behind.

 

Feed my will to feel this moment urging me to cross the line.

Reaching out to embrace the random.

Reaching out to embrace whatever may come.

 

I embrace my desire to

I embrace my desire to feel the rhythm, to feel connected

Enough to step aside and weep like a widow

To feel inspired, to fathom the power,

To witness the beauty, to bathe in the fountain,

To swing on the spiral, to swing on the spiral,

 

To swing on the spiral of our divinity and still be a human.

 

With my feet upon the ground

I lose myself between the sounds

And open wide to suck it in.

I feel it move across my skin.

 

I'm reaching up and reaching out.

I'm reaching for the random or whatever will bewilder me.

Whatever will bewilder me.

 

And following our will and wind

We may just go where no one's been.

We'll ride the spiral to the end

And may just go where no one's been.

 

Spiral out. Keep going. [4x]

 

I never knew what the red and yellow meant.

 

I now do.

 

There are no coincidences ~Q

 

Keep being and doing.

AntMan ID: 622916 May 19, 2018, 7:53 p.m. No.7192   🗄️.is 🔗kun

>>7190

 

sorry got side tracked there but that just popped into my head

 

I will welcome your intuition any day of the week!

 

I did not see what you saw. Thanks for the insight brother.

 

Another piece to connect the dots.

 

Keep being and doing.