I'm dumping some stuff from my Music Theory folder
I forgot to add this
I have more but I can't upload them, they are too big
Why won't my post go through?
two textbooks based on rediscovery of authentic baroque training methods and culminating in fugue writing
http://gen.lib.rus.ec/book/index.php?md5=054119E6B46A3AD43F60956AC2354A28
>Counterpoint in the Style of J.S. Bach - Thomas Benjamin
http://gen.lib.rus.ec/book/index.php?md5=55256EBA31F00130F0B612ED3690FD6F
>A Practical Approach to Eighteenth-Century Counterpoint - Robert Gauldin
piano exercises and advice:
http://imslp.org/wiki/Master_School_of_Piano_Playing_and_Virtuosity_%28Jon%C3%A1s%2C_Alberto%29
>Master School of Piano Playing and Virtuosity - Alberto Jonas and many other contributors (1922-29)
http://imslp.org/wiki/The_Virtuoso_Pianist_%28Hanon,_Charles-Louis%29
>The Virtuoso Pianist - Charles-Louis Hanon (60 basic exercises 1873)
http://gen.lib.rus.ec/book/index.php?md5=F25805B8A9CC05CE2E539EAC0FA80E1D
>Piano Technique - Walter Gieseking, Karl Leimer (1972)
http://gen.lib.rus.ec/book/index.php?md5=9114B7FF5837C8C51698D925E5C13368
>Natural fingering : a topographical approach to pianism - Jon Verbalis
>Though incomplete at the time of his death in 1849, Chopin's Projet de méthode was nonetheless revolutionary in many respects. But with his Fundamental Pattern, Chopin announced the recognition, if not discovery, of the keyboard's extraordinary topographical symmetry and postulated a core formulation for a new "pianistic" pedagogy. More than a hundred years later the now-legendary Heinrich Neuhaus would passionately plead for this pedagogy and a pianism rooted in it.
classic improvisation as recombination of schemata and partimenti (a more esoteric form of italian figured bass)
http://gen.lib.rus.ec/book/index.php?md5=A12B7CCAD398CA2303C6275E01B424E8
>Robert O. Gjerdingen - Music in the Galant Style
companion website: http://faculty-web.at.northwestern.edu/music/gjerdingen/partimenti/
http://gen.lib.rus.ec/book/index.php?md5=6D4ECD02DDA99001CD06F9E16037F8A0
>Guido Sanguinetti - The Art of Partimento: History, Theory, and Practice
lurk here to stay in the loop about this flourishing topic
https://www.youtube.com/watch?v=QdklB3zYgmg
http://www2.musik.uu.se/UUPart/UUPart.php
>The Uppsala Partimento Database
http://community.middlebury.edu/~harris/music.essays.html
>TOWARD A PERSONAL MUSIC
collection of older essays about classic improv mindset
Thank you so much for this.
2017 Update for this here:
https://www.thisisclassicalguitar.com/sheet-music-for-classical-guitar/
https://archive.org/details/formsofmusic00tove
>Donald Francis Tovey - The forms of music (1944)
>Camillo De Nardis - Partimenti dei maestri: Cotumacci, Durante, Fenaroli, Leo, Mattei, Platania, Sala, Scarlatti, Tritto, Zingarelli (1933)
Anthology
https://deepblue.lib.umich.edu/handle/2027.42/145905
>Ahn, Hye Sang - From Partimento to Finished Work Realizing, Revising, and Expanding Partimenti Using Techniques of the Bach Family (2018)
>28.9Mb PDF
new dissertation trying to close gap between partimento sketch and final composition
http://derekremes.com/teaching/thoroughbass/
another ressource
>Olivier Messiaen - Treatise on Rhythm, Color and Ornithology Vol 1 of 7 (1949-1992)
first volume deals with concepts of time, rhythm, meter and prosody
Thanks anon