Anonymous ID: 67d88e March 29, 2021, 11:34 a.m. No.13323112   ๐Ÿ—„๏ธ.is ๐Ÿ”—kun

"Watching Hbo [Q.Into.the.Storm] to learn about Q is like listening to Buzz Aldrin talk about gravity on the moon."

 

  • GhostEzra

 

You're right Ezra, more right than you know โ€ฆ

Anonymous ID: 67d88e March 29, 2021, 11:44 a.m. No.13323172   ๐Ÿ—„๏ธ.is ๐Ÿ”—kun

>>13322993 pb

>>>13322650

>

>I wholeheartedly disagree. The doc paints everyone associated with ''Qanon' as batshit crazy and not too bright.

 

the point is they are not telling it, or saying/painting it, mostly they just let the perps to speak.

 

Sometimes you don't need to tell if you can show.

Anonymous ID: 67d88e March 29, 2021, 11:56 a.m. No.13323265   ๐Ÿ—„๏ธ.is ๐Ÿ”—kun   >>3340 >>3609

>>13323159

it's obligatory viewing for all QAnon fans, true believers and skeptics alike โ€ฆ

 

the liberal media interestingly was shocked by its neutral, non-judgemental approach, why on earth they let those monsters speak freely โ€ฆ

 

"Following the release of the series' teaser trailer, anti-disinformation researchers and journalists expressed concerns that the series might become a recruiting tool for QAnon. Joan Donovan of Harvard's Shorenstein Center on Media, Politics and Public Policy said that its portrayal of Q as "edgy and exciting" could attract new followers.[53]

 

Variety's D'Addario wrote that the series "raises certain existential questions about how, and perhaps whether, to cover misinformation campaigns". He observed that the documentary gave significant airtime to the Watkins and others promulgating the QAnon conspiracy theory, and prominently displayed usernames and messages from QAnon personalities.[44]

 

Robertson wrote in The Verge that the series "breaks several best practices for reporting on extremism", and that it "embodies all the ways that idealistic journalistic values โ€” a devotion to humanizing subjects, a goal of exposing powerful wrongdoers, and a belief that exposing truth will set people free โ€” fail in the face of extremist movements".[54]

 

Bojalad wrote for Den of Geek that "Q: Into the Storm takes for granted that its viewing audience has a solid grip on reality, ignoring years of recent evidence to the contrary"

Anonymous ID: 67d88e March 29, 2021, 12:41 p.m. No.13323623   ๐Ÿ—„๏ธ.is ๐Ÿ”—kun   >>3662

>>13323479

>https://www.whatdoesitmean.com/index3522.htm

 

jesus wept โ€ฆ it used to be that in the conspiracy theory circles, the first thing the noobs learned was that Sorcha Faal and Ben Fulford pull the shit out off their asses, they fabricate fairy tales out of the whole cloth

Anonymous ID: 67d88e March 29, 2021, 12:59 p.m. No.13323753   ๐Ÿ—„๏ธ.is ๐Ÿ”—kun

>>13323512

>georgia guide stones

>>13323512

>>>13323429

>

>It's very possible that Psack edited the georgia guide stones.

think logically

The Georgia Guidestones are a granite monument erected in 1980 in Elbert County, Georgia, in the United States.

 

Jennifer Rene Psaki (/หˆsษ‘หki/; born December 1, 1978)

 

if memory serves the content of the guidestones is very idiosyncratic, almost incoherent, they weren't pro'immigration because they were anti population growth

Anonymous ID: 67d88e March 29, 2021, 1:29 p.m. No.13323895   ๐Ÿ—„๏ธ.is ๐Ÿ”—kun

>>13323121

>>>13323089

>

>I know an African guy who spends his free time writing that stuff. Guy has been working on a symphony to like ten years, kek. But hell it's hobby. These woke people are too much.

 

Julius Eastman was an interesting Black composer, a minimalist like Steve Reich or Philip Glass โ€ฆ

 

Julius Eastman (October 27, 1940 โ€“ May 28, 1990) was an American composer, pianist, vocalist, and dancer whose work fell under minimalism. โ€ฆ He often gave his pieces titles with provocative political intent, such as Evil Nigger and Gay Guerrilla, and has been acclaimed following new performances and reissues of his music. ..

https://en.wikipedia.org/wiki/Julius_Eastman

 

โ€ฆ

 

alas, he died as a homeless crack addict

 

some of his works

 

Nigger Faggot (1978) for bell, percussion, and strings

Dirty Nigger (1978) for 2 flutes, 2 saxophones, bassoon, 3 violins, and 2 double basses

Evil Nigger (1979) for any number of similar instruments, most commonly 4 pianos

Gay Guerilla (ca. 1980) for any number of similar instruments, most commonly 4 pianos

Crazy Nigger (ca. 1980) for any number of similar instruments, most commonly 4 pianos

The Holy Presence of Joan d'Arc (1981) for ten cellos