Did you like Trump's visit to your headquarters yesterday?
is there a date on this?
That's was Gates Fauci and Bidan / Biden
Who's paying the shill to come here and lie? We'll find out.
>>22762688
They get their cartoon lessons from George Soros money, i.e. usa taxpayer.
Where's the "debunked"?
figures. Whenever they say "debunked" but no sauce, it's a "Tell"
ekkekkk
"It was debunked"
"Conspiracy"
yada yada
Epstein Austrian?
"listed in Black Book" doesn't equal "visited the island"
According to Grok Bill Clinton never visited the island. The times he took the Lolita Express, he went somewhere else?
So the logs show destination as well as passenger?
What about chain of custody of logs?
Their cartoon abilities never improved.
Low IQ hacks.
AP is total crap. Just sayn'
>>22762764
That's false. Even Grok admits Trump threw him out of Mar a Lago ~ 07
Notice how the shill are bringing their lame Propaganda here now, to see how we respond.
Their shit is about to hit the fan.
Oh and that photo is an obvious shoop.
There isn't because he didn't
Can't prove a lie.
Boo Hoo.
but the Trump Haters?
What would their life be without Trump to hate?
Will they ever recover?
5 % is one out of 20
will always be with us.
Sort of like Germans after WW2 who couldn't give up Adolf worship?
?
Seems like the dishonest and really bad people have been embarrassed finally.
They have no come back.
High Summer is really at hand.
They have been victimized by the Mind Parasites.
>>22762777
chek
Grok is woke.
based on a Woke model
So if Grok admits it…
But you use AP..
sad
Jew Hater Shill here are all NWO , spawned from NAZI
Jewish people tend to be communist and anti America,
But not all
Jew haters here are spam.
Religious Jews and spiritual Jews and honestly charitable Jews are a different breed.
Also, many of them "know not what they are doing" the ones who support crazy causes.
The reason the Satanists hate Jews is because of Jewish Law which forbids their practices.
There are many holy Jews and it drives the lawless Satanists crazy with anger.
Who's paying you for the shitty cartoons?
>>22762878
Shills have gone crazy
kekek
They claime they are Jews.
kekkkkkk
>>22762901
hoes mad.
>>22762907
Jew Haters admit they re NAZI
figures.
>>22762890
hoes mad
Jew Haters are so persecuted /s/
Jew Haters are like the energizer Rabbit.
They must get loads of income from this irrational op.
Perhaps they are Jar babies, Tube babies, Adolf's spawn?
cry moar irrational hater who has zero to do with Q research except you're paid to bring us down.
You're garbage hate is all heat and no light.
that's why you are erased-ish
You get your say here 24 / 7 and always have for six years plus.
Which is obviously paid for.
So don't like
So don't lie.
cry moar irrational hater who has zero to do with Q research except you're paid to bring us down.
You're garbage hate is all heat and no light.
that's why you are erased-ish
You get your say here 24 / 7 and always have for six years plus.
Which is obviously paid for.
So don't LIE
Jew Derangement Syndrome only seems to inflict Trump haters.
I wonder why?
Because they are fake Q researchers
and only have one pointed minds
Hate 24 / 7
Defeat Trump
It's a very real malady for some.
For others it's a way of life and an income.
An income based upon theft.
The Jew haters steal researchers time. Steal the Q research Board's money
And they do it because of their hatred and because it's an op.
Their irrational hatred just burns up time and money like the corrupt USAID who funds them.
Jew Derangement Syndrome only seems to infect Trump haters.
gm
Weren't three balls the sign of a Pawn Shop, and maybe on the Arms of some Bankers?
now you've hit ultimate irrationality.
Does Hate screw up your thinking?
The three balls symbol associated with pawn shops has a rich and somewhat debated history, rooted in medieval Europe, particularly tied to the practices of moneylending and pawnbroking. Here's a detailed explanation of its background and its connection to notable families:
Origin of the Three Balls Symbol
The most widely accepted explanation traces the three balls to the Medici family, a powerful banking dynasty from Florence, Italy, during the Renaissance. The Medici were not pawnbrokers themselves but were heavily involved in finance and commerce, establishing one of the most influential banking houses in Europe. Their coat of arms featured a shield with a number of red balls (or palle) on a gold field, the number of balls varying over time but often depicted as five, six, or eight. The balls are believed to have originally symbolized coins, reflecting their wealth and banking activities, though some legends suggest they represented medicinal pills (a nod to the family name, which means "physicians" in Italian) or even dents in a shield from a battle.
The connection to pawnbroking arises indirectly. In the Middle Ages, moneylending was often associated with pawnbroking, as both involved providing loans against collateral. The Medici, as prominent bankers, became a symbol of financial success, and their emblem of balls may have been adopted or adapted by smaller moneylenders and pawnbrokers across Europe. Over time, the simplified version of three balls—typically depicted as gold spheres hanging in a triangular arrangement—became a shorthand for pawnbroking establishments.
Another theory links the symbol to the Lombard region of northern Italy, where many early bankers and pawnbrokers originated. "Lombard" became synonymous with moneylending in medieval Europe (e.g., Lombard Street in London), and some suggest that pawnbrokers adopted the three balls as a nod to this tradition. The Medici connection often merges with this narrative, as their influence spread through Lombard banking networks.
A more folkloric explanation claims the three balls represent a cautionary tale: a pawnbroker’s promise that a loan has a "two-to-one chance" of being repaid (two balls for the lender, one for the borrower), though this is likely a later rationalization rather than a historical origin.
Appearance in Heraldry
The Medici family’s coat of arms is the most prominent example of a banker family using balls (or palle) as a heraldic symbol. However, their arms typically featured more than three balls, and the balls were red, not gold. The simplified three-gold-ball symbol used by pawn shops does not appear directly in the Medici arms but is thought to be a stylized derivative, possibly adapted by lesser merchants or pawnbrokers to evoke the prestige of the Medici without copying their exact design.
Other banking families, such as the Fuggers of Augsburg (another prominent European banking dynasty), did not use balls in their heraldry. The Fugger arms featured lilies and other symbols tied to their merchant origins rather than anything resembling the pawnbroker’s sign. Similarly, the Rothschild family, a later banking powerhouse, used five arrows in their coat of arms, symbolizing the five founding brothers, but no balls.
Evolution into the Pawn Shop Symbol
By the 17th and 18th centuries, the three balls had become a widely recognized trade sign for pawnbrokers in Europe, particularly in Britain and France. The symbol’s practicality—simple, bold, and easily identifiable even by the illiterate—helped it spread. In England, it was often painted or hung outside shops, sometimes gilded to suggest wealth and trustworthiness. The arrangement of two balls above one may also have practical roots, as it mimics the way goods or weights might be displayed.
In the United States, the symbol arrived with European immigrants and became the universal emblem of pawnbroking by the 19th century. It remains so today, even as the industry has evolved.
Conclusion
The three balls likely originated as a simplified echo of the Medici family’s heraldic balls, adapted by pawnbrokers to signify their trade. While the symbol itself does not appear exactly as three gold balls in the arms of any major banking family, its association with the Medici provides the strongest historical link. The emblem’s journey from Renaissance heraldry to a modern commercial sign reflects both the legacy of medieval finance and the practical needs of a growing trade.
It's also the D'isney sign.
The "mouse" stylized.
And a famous occult artist used it to signify and NWO movement.
He built the Master's House which was used in Ghost Busters and which housed in its cornerstone the reputed "Stone of the Scone" which was stolen and then delivered to an occultist in California ( Manly P . Hall, "Manly Phal" who wrote "Secret Destiny of America" ) who died a few weeks later.
You're right about Israel NWO influence in USA government
But remember USA has been infiltrated by the same creeps which has nothing to do with actual Jews, nor with honest American Citizens.
You conflate your hate.
And are totally glowing, per the usual
"Secret Destiny of America"
Ignorant shill calls people, whom it does not know, "Kike"
Fails to hide its own lies and ignorance.
Hey, some people just gotta put food on the table, and fail to care about the quality nor of the purpose of their work
"Gotta Do what you Gotta Do"?
Nicholas Roerich was a fascinating figure whose work extended beyond art and occultism into global cultural and peace initiatives. The movement he created, which is notably tied to the United Nations, is centered around the Roerich Pact and its broader philosophical framework, often linked to his spiritual and cultural vision. Here’s the detailed breakdown:
The Movement: The Roerich Pact and Banner of Peace
Name: The Roerich Pact, formally known as the Treaty on the Protection of Artistic and Scientific Institutions and Historic Monuments, was an international agreement spearheaded by Roerich. It’s closely associated with his Banner of Peace symbol and philosophy.
Purpose: The movement aimed to protect cultural heritage—art, scientific institutions, monuments, and historic sites—during times of war and peace. Roerich believed that culture was a unifying force for humanity, transcending national boundaries, and should be safeguarded as a universal treasure.
Banner of Peace: Roerich designed a symbol for this cause: three red dots encircled by a red ring on a white background. The three dots represent art, science, and religion (or past, present, and future), unified within the circle of culture. This became the emblem of the Pact and his broader peace movement.
Origins: Roerich developed these ideas over decades, influenced by his Theosophical beliefs, his travels (especially in Asia), and his Agni Yoga philosophy, which he co-founded with his wife, Helena. The Pact emerged from his conviction that humanity’s spiritual and cultural evolution depended on preserving its creative achievements.
Connection to the United Nations
Historical Context: The Roerich Pact was signed on April 15, 1935, in Washington, D.C., by representatives of 21 nations (initially the United States and 20 Latin American countries) in the presence of President Franklin D. Roosevelt. It was a pioneering treaty, one of the first to prioritize cultural protection in international law.
Influence on the UN: While the Pact predates the United Nations (founded in 1945), it laid groundwork for later UNESCO initiatives. The principles of the Roerich Pact influenced the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict, adopted under UNESCO (a UN agency). Roerich’s vision of culture as a cornerstone of peace resonated with the UN’s postwar mission.
Symbolic Legacy: The Banner of Peace has been associated with UN-related cultural efforts. For instance, Roerich’s supporters presented the banner to UN officials over the years, and it’s been flown at events tied to cultural preservation and peacebuilding, though it’s not an official UN symbol. His museum in NYC still promotes this connection, highlighting his role as a precursor to UNESCO’s work.
Broader Movement: Agni Yoga and Cultural Unity
Agni Yoga: Alongside the Pact, Roerich co-created Agni Yoga (or "Living Ethics"), a spiritual philosophy blending Eastern mysticism, Theosophy, and a call for human evolution through culture and ethics. This underpinned his peace efforts and the Pact, emphasizing a "Brotherhood of Humanity" that aligned with his UN-related ideals.
Cultural Unity: Roerich’s movement wasn’t just a legal treaty—it was a global call for unity through culture. He founded institutions like the Master Institute of United Arts and the Corona Mundi (Crown of the World) to promote this vision, which fed into the
>>22763153
obviously a pest; doesn't belong here.