♥ She looked. Neatly pegged white letters under glass read: THE POWER AND GRACE OF HE WHO WALKS BEHIND THE ROWS.
♥ The space behind the pulpit was dominated by a gigantic portrait of Christ, and Burt thought: If nothing else in this town gave Vicky the screaming meemies, this would.
The Christ was grinning, vulpine. His eyes were wide and staring, reminding Burt uneasily of Lon Chaney in The Phantom of the Opera. In each of the wide black pupils someone (a sinner, presumably) was drowning in a lake of fire. But the oddest thing was that this Christ had green hair… hair which on closer examination revealed itself to be a twining mass of early-summer corn. The picture was crudely done but effective. It looked like a comic-strip mural done by a gifted child—an Old Testament Christ, or a pagan Christ that might slaughter his sheep for sacrifice instead of leading them.
♥ There was a large Bible on the lectern, opened to the thirty-eighth chapter of Job. Burt glanced down at it and read: "Then the Lord answered Job out of the whirlwind, and said, Who is this that darkeneth counsel by words without knowledge?… Where wast thou when I laid the foundations of the earth? declare, if thou hast understanding." The lord. He Who Walks Behind the Rows. Declare if thou hast understanding. And please pass the corn.
♥ He grimaced at the words stamped on the cover, done inexpertly in gold leaf: "THUS LET US THE INIQUITOUS BE CUT DOWN SO THAT THE GROUND MAY BE FERTILE AGAIN SAITH THE LORD GOD OF HOSTS.
♥ Standing behind the pulpit, Burt thought about it.
Something had happened in 1964. Something to do with religion, and corn… and children.
Dear God we beg thy blessing on the crop. For Jesus' sake, amen.
And the knife raised high to sacrifice the lamb—but had it been a lamb? Perhaps a religious mania had swept them. Alone, all alone, cut off from the outside world by hundreds of square miles of the rustling secret corn. Alone under seventy million acres of blue sky. Alone under the watchful eye of God, now a strange green God, a God of corn, grown old and strange and hungry. He Who Walks Behind the Rows.
Burt felt a chill creep into his flesh.
Vicky, let me tell you a story. It's about Amos Deigan, who was born Richard Deigan on September 4, 1945. He took the name Amos in 1964, fine Old Testament name, Amos, one of the minor prophets. Well, Vicky, what happened—don't laugh—is that Duck Deigan and his friends—Billy Renfrew, George Kirk, Roberta Wells, and Eddie Hollis among others—they got religion and they killed off their parents. All of them. Isn't that a scream? Shot them in their beds, knifed them in their bathtubs, poisoned their suppers, hung them, or disemboweled them, for all I know.
Why? The corn. Maybe it was dying. Maybe they got the idea somehow that it was dying because there was too much sinning. Not enough sacrifice. They would have done it in the corn, in the rows.
And somehow, Vicky, I'm quite sure of this, somehow they decided that nineteen was as old as any of them could live. Richard "Amos" Deigan, the hero of our little story, had his nineteenth birthday on September 4, 1964—the date in the book. I think maybe they killed him. Sacrificed him in the corn. Isn't that a silly story?
But let's look at Rachel Stigman, who was Donna Stigman until 1964. She turned nineteen on June 21, just about a month ago. Moses Richardson was born on July 29—just three days from today he'll be nineteen. Any idea what's going to happen to ole Mose on the twenty-ninth?
I can guess.
Burt licked his lips, which felt dry.
One other thing, Vicky. Look at this. We have Job Gilman (Clayton) born on September 6, 1964. No other births until June 16, 1965. A gap of ten months. Know what I think? They killed all the parents, even the pregnant ones, that's what I think. And one of them got pregnant in October of 1964 and gave birth to Eve. Some sixteen- or seventeen-year-old girl. Eve. The first woman.
He thumbed back through the book feverishly and found the Eve Tobin entry. Below it: "Adam Greenlaw, b. July 11, 1965."