once upon a time
eminem got a presidential pardon at a jaurez bar
and soon started with dre
once upon a time
eminem got a presidential pardon at a jaurez bar
and soon started with dre
ty 50 cents
look at this new beef eminem has with MGK
moar about the MGK dis
the iron cross made him do it
MAYBE IF YOU SWAP A VTEC ENGINE INTO IT, THEN IT WON'T WANNA LICK YOUR ASSHOLE AND SUCK ON YOUR BALLS
TEQUILLA AND CTHULLU ACTUALLY
>0
(YOU) CAN SEE RIGHT HERE THAT THE VTEC ENGINE DOES NOT SUCK BALLS AND LICK ASSHOLE LIKE ROD ROSENSTIEN AND MUELLER AND ASSANGE AND BO AND AFLB AND (((((THEY)))))
MORE VERIFIABLE PROOF THAT THE VTEC ENGINE DOES NOT SUCK ASSHOLE AND LICK BALLS LIKE THE REBUTTALS OF ROSENSTIEN
MAYBE THEY ARE LIVING IN DENIAL OF ALL THE VTEC ENVY
Prospero, having divined that his brother Antonio is on a nearby ship, has raised a tempest that causes the passengers to believe they are shipwrecked and marooned. Also on the ship are Antonio's friend and fellow conspirator, King Alonso of Naples, Alonso's brother and son (Sebastian and Ferdinand, respectively) and Alonso's "trusted counsellor", Gonzalo. All these passengers are returning from the wedding of Alonso's daughter Claribel and the King of Tunis. Prospero contrives to separate the shipwreck survivors into four groups by his spells:
Prince Ferdinand, who promptly meets inhabitants Prospero and Miranda
Trinculo and Stephano, who promptly meet inhabitant Caliban
King Alonso, Sebastian, Antonio, Gonzalo, and two attendant lords (Adrian and Francisco)
The ship's captain and boatswain, asleep until the final act
Miranda by John William Waterhouse
Three plots then alternate through the play. In one, Caliban falls in love with Stephano and Trinculo, two drunkards, believing Stephano to be a "brave god" who "bears celestial liquor". They attempt to raise a coup against Prospero, which ultimately fails. In another, Prospero works to encourage a romantic relationship between Ferdinand and Miranda; the two fall immediately in love, but Prospero worries that "too light winning [may] make the prize light", and compels Ferdinand to become his servant, pretending that he regards him as a spy. In the third subplot, Antonio and Sebastian conspire to kill Alonso and Gonzalo so that Sebastian can become King. Ariel thwarts them, at Prospero's command. Ariel appears to the "three men of sin" (Alonso, Antonio and Sebastian) as a harpy, reprimanding them for their betrayal of Prospero. Prospero, who has witnessed this, leaves to visit Ferdinand and Miranda. The three guilty nobles run off, distracted and in a frenzy, and Gonzalo and the attendant lords chase after to prevent them from doing "what this ecstasy may now provoke them to".
In Protestant England, where Shakespeare wrote The Tempest, magic was taboo. Not all magic, however, was considered evil.[citation needed] Several thinkers took a more rational approach to the study of the supernatural, with the determination to discover the workings of unusual phenomena. The German Henricus Cornelius Agrippa was one such thinker, who published in De Occulta Philosophia (1531, 1533) his observations of "divine" magic. Agrippa's work influenced Dr. John Dee, an Englishman and student of supernatural phenomena. When King James took the throne, Dee found himself under attack for his beliefs, but was able to defend himself successfully by explaining the divine nature of his profession. However, he died in disgrace in 1608.[20]
Ariel (Fuseli, c.1800–1810)
Shakespeare is also careful to make the distinction that Prospero presents himself as a rational, and not an occultist, magician. He does this by providing a contrast to him in Sycorax. Sycorax is said to have worshipped the devil and been full of "earthy and abhored commands". She was unable to control Ariel, who was "too delicate" for such dark tasks. Prospero's rational goodness enables him to control Ariel where Sycorax can only trap him in a tree. Sycorax's magic is frequently described as destructive and terrible, where Prospero's is said to be wondrous and beautiful. Prospero seeks to set things right in his world through his magic, and once that is done, he renounces it, setting Ariel free.